Yes,
Isle of the Dead is certainly a subtler film, quiet, understated, and even poetic in its approach. When it comes to
Bedlam, however, I would still maintain that it offers a good deal more than indicated above. For one thing, I think it utilizes an aspect common to the Gothic genre extremely well -- that being the persecution and confinement of such a heroine in such an environment as threatens both life and sanity -- and, while there is no actual supernaturalism involved, there are touches of the ghostly atmosphere here and there in the film, such as the calling of her name by the inmates, "parroting" something they've heard... and which is handled without one ever seeing a single one of them actually mouth the word, so that it seems to emerge from the very surroundings themselves. (For some reason I can't quite define, this aspect reminds me very strongly of certain touches in
The Devil and Daniel Webster; especially the party that Jabez Stone throws, with the ghostly guests.) There are a lot of subtle touches such as this to the film, which put it (in my view) squarely on a footing with, say,
I Walked with a Zombie,
The Body-Snatcher, or
The Seventh Victim, if not quite as high as Isle of the Dead.
I also watched a fantasy film called The Magic Sword, nothing especially original but entertaining enough with a decent turn by Basil Rathbone as a wicked sorcerer, rather overshadowed by Estelle Winwood as a sorceress.
Ah, yes... Bert I. Gordon. For all their flaws (and they have a many), I've always had a soft spot for some of his films... especially this one and
The Amazing Colossal Man. (Poor Manning! While his plight is the exact reverse of Scott Carey's, he is still very much the victim of a cruel quirk of fate.... And I always had a feeling that, perhaps subconsciously, what happened to him in that film influenced the genesis of the Hulk....)