What was the last movie you saw?

Death at a Funeral (2007 - the British version) - a black comedy about a group of wealthy relations gathering to bury a man. Things go wrong and get increasingly absurd. A couple of jokes fall flat, and the tone wobbles a bit, but it's generally quite entertaining. Peter Dinklage shows up, surprisingly, and Alan Tudyk (Wash from Firefly) plays an English character who has a succession of bizarre adventures after accidentally taking hallucinogenics. The cast includes Daisy Donovan, Keeley Hawes and a variety of people you've seen in sitcoms and dramas if you watch the BBC. Quite good.
 
The Devil's Own (In the U.K., The Witches; 1966)

IMDB lists it as The Witches; Turner Cable Movies ran it as The Devil's Own, Joan Fontaine's last movie (she did make TV appearances after this).

Fontaine plays a woman traumatized as a missionary in Africa by the resistence and threats of local witch doctors. Months later, after a nervous breakdown, she accepts a position as teacher in a small English village. Unfortunately, there is a coven there whose leader wants Fontaine's assistance in extending her life, a ritual that bodes ill for one of Fontaine's students.

This is a Hammer movie and according to the introduction by Ben Mankiewicz the property, a novel by Norah Lofts under a psuedonym, was purchased by Fontaine and brought to Hammer after a four year drought in her movie career. It's well-paced and though I'm not a big fan of Fontaine, it's well-acted. It's also predictable, but I still found it entertaining. Interesting to see it was scripted by Nigel Kneale and that one of the actors, Duncan Lamont, later appeared in Hammer's version of Kneale's Quatermass and the Pit, in the quite memorable role of a man blown along alleys and streets by a wind that appeared more internal than external. He shows similar physical inhibitions in a dance scene in this one.

Randy M.
 
The Descent 2005 --- 20 min. irritating character development, tragic car accident etc. Then the girls go caving. A swarm of bats provides a fake scare. There's a cave-in, they have to continue downward, following the general arc of this movie. They have done stupid things, so nobody is looking for them. It's a 'new cave system'. Hoo boy. Some good cave sets, then they find a lot of bones. Then a zombie-looking humanoid guy appears, much screaming, panicking. Mr. cave-zombie is fast, climbs walls, he chomps on Sarah, she's gone. Later, they find the way out, but go back for Sarah. Uh-oh, multiple cave-zombies, run awaay. Later, they fight the zombies, lots screaming, blood, annoying sound FX. The stock zombie-growl sound is particularly typical and irritating. A bunch of gratuitous, bloody fighting... more of it... screaming, blood, one of them escapes , maybe...and... delete movie. Next.
 
GODZILLA VS GIGAN (1972) Another evil organization attempting to conquer the Earth, but these guys are cockroaches from outer space, who using their technology mask their appearance. They apparently are a peace organization, building a Godzilla theme park & apparently striving for total peace. So, there is an unemployed cartoonist (manga artist) hired by the organization, apparently to dream up advertisements for the theme park. But, he finds evidence of evil, and with a few others, including Godzilla, brings down the organization.

I thoroughly enjoyed the silliness of this film! I did notice reused film of destruction, "Mobiloil" sign atop a burning building that was 1st seen in one of those earlier Godzilla films.


Rodan (1956) Coal miners are missing, and a search for them results in the deaths of some men, apparently murdered by the coal miner Goro, who had been violently arguing with the other missing miner. But, it turns out that giant dragonfly larva had killed the men. If that was not bad enough Rodan had just hatched from a giant egg, and was flying around a supersonic speeds, leaving destruction in its wake.

Not so silly as the other one, in fact, it was most like the early Godzilla films, showing the terror elements.
 
Death at a Funeral (2007 - the British version) - a black comedy about a group of wealthy relations gathering to bury a man. Things go wrong and get increasingly absurd. A couple of jokes fall flat, and the tone wobbles a bit, but it's generally quite entertaining. Peter Dinklage shows up, surprisingly, and Alan Tudyk (Wash from Firefly) plays an English character who has a succession of bizarre adventures after accidentally taking hallucinogenics. The cast includes Daisy Donovan, Keeley Hawes and a variety of people you've seen in sitcoms and dramas if you watch the BBC. Quite good.

I love this film, have it on DVD. The bit with the toilet cracks me up.
 
LC, Jr. would have had little success as Creighton Chaney. Great film, wonderful cast!
 
October Horror Movies (No Spoilers as usual)

TICKS (1993) I haven't seen it in years! This gross-out, mutant horror film is one of the best of it's kind (cult movie, that is). Still creepy cool.

Nine Miles Down (2009) A security agent is sent to find out what happened at a scientific drill site. He discovers something evil. Darkly Intriguing.

The Boogie Man Will Get You (1943) A rare Noir Comedy, starring Boris Karloff and Peter Lorre. Not bad. It gives a nod and a wink to Arsenic and Old Lace.



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Captive 1980 --- quite cheesy SF starts with a spaceship zipping along, it blows up. Now credits - each character delivers a line from the forthcoming movie, then their name appears onscreen, to 1980 synth sounds.
Spaceship action now, they are going to Warp 2 in order to monitor turning capabilities. The captain and co-pilot chat about being 'tubers' ...who are expendable. They 'energize' things onboard their scout craft... this is getting Trekky, similar uniforms too. They test the ship, which wobbles but it's time for a new assignment... maybe to Delta territory - to guard 'the old people's asteroids' .. But, one guy, Stanoo 12 -is sent to Mega-Vector, the captain Kaleb-7, is to fly 'Earth reconaissance with Major Groper'. Turns out our guys are from 'Sytharolia' and they are gonna spy on Earth weapon installations.
Lots of button-pushing and techbabble, long shots of spaceships, trippy sound FX. Cut to Earth where a blonde techbabbles, 'negative activity in sector J-19'. She has trouble with the word 'designated' but they leave it in, then wisecracking Earth guys trade lines, 'Alphka six-packs' and 'dyratium power boosters' are mentioned - but there's a war on. Sure enough, enemy ships appear, 1st time in 5 years,
The Sythrolian old Cmdr. guy talks about killing people with his bare hands, 'warm human blood' and 'Earth ships blasted apart' ...he goes on obsessively, meanwhile he looks like a stock character actor from Earth. Now a Neutron-Laser battles breaks out between ships, Crazed Cmdr. fires lasers too soon, 'overheating through the firing frequencies' but the other ship nails an Earth ship - 'Did you see the way that Earth ship blew when I hit it? Whoaaa Man! Ha, haa!"
Earth strikes back though, gets one of the Sythrolians. The other is forced down to the ground, Now we get old Gramp's isolated cabin, sisters, one wants to leave, but a long rant from Gramps about the modern world, the war over the damn Dyrathium crystals that Earth has been fighting over with the Sythyrolian monsters all these years! - he goes to bed, Junior comes in, he's got an 'Atom-Polarizer' that he bought by selling Frog's legs and sending away for it. He uses it to kill frogs in the pond. He heads off to the pond, the ship crashes nearby, huge explosion but Kaleb-7 and Cmdr. are fine. Cmdr. disintegrates the kid's nice dog 'Vicious' with a ray gun, possibly made from a hand drill, now we hate these guys. They don't shoot the kid, he leads them to his 'living cubicle'.
Gramps jumps out with a shotgun, he's clobbered from behind, but blasts one Styhrolian in the shoulder. The microwave healer gadget doesn't work because of the metal pellets. The evil Cmdr. blasts Cleo, a small tweety bird in a cage, to bits with a shotgun, takes out the window too. These are mean aliens who look like Trek crew members, but they are tuber soldiers, from test tubes, but Kaleb-7 falls for older sis. 'What is this concept - love?'
Crazed Cmdr. looks a bit like Kirk, he terrorizes everyone. Kaleb-7 and Sis take long walk in woods, talk and talk, aaaand talk to romantic piano music.
Earth forces saturate the area of the crash, finally, But, Kaleb's ray gun was left on the floor, Junior grabs it as Cmdr. is mangling Sis outside, but the raygun doesn't work. Gramp's is loose though, and he blasts Cmdr. to bits with his shotgun.
They dress Kaleb-7 up farm style, sis is gaga over him, and an Earth tactical search unit shows up, bright red costumes, long-handled red ray guns. Gramp's tells them to haul the carcass away with them, they leave in two minutes.
More romance, fun fishing with Gramps, but the Earth force knows there's a missing alien. Kaleb and the family drink wine, cavort, but Earth forces show up at the cabin. Team Alpha 79-A no less. Gramps and Sis lead Kaleb off toward a civilian air base. Kaleb gets lasered in the leg but he's okay, they keeping walking through the woods, till they run into a blue laser fence. A bad guy shows up, but Gramps sneaks up with a knife and takes his laser-gun away. After a short monologue, Kaleb wanders off into the wilderness carrying a tote bag, and Gramps assures a sobbing Sis that he'll be back some day. Ominous synth tones play, the End. We will never know whether our nice converted alien tuber Kaleb-7 made it back to the farm. Oh well.
 
StarCrash 1978 ---revisiting the classic, you'd-better-see-this-one, fans of Opera in Space.
Big spaceship in deep space, looks like the intro to Alien, then we hear 'Major Bradbury' to bridge, and the spaceship is named the
Murray Leinster, so in one minute, we know this is a science-fiction movie. Weird gold helmets on the crew, they are looking for the hidden fortress of Count Zarthron, on a phantom planet. Suddenly, weird red lights appear, they attack, everyone grabs their head and falls down, a couple shuttlecraft get away, the ship explodes. Now we get a long print-out onscreen, but it is in French, so no idea. Something about megalomaniac Emporer Zarthon, good enough. Hasselhoff, Caroline Munro, Christopher Plummer as Emporer, okay.
Scout ship, our two MC smugglers - Stella Star and Acton, are evading space-robot-cops... very silly lines from Munro 'Go for hyperspace. Go for it!' Let's hope this Star-buggy stays together." Molecular ignition... Gamma contamination... but then a Neutron Star grabs them, they have to eject. They find a spaceship floating... Caroline goes there and finds a survivor, raving about red monsters. But empire ships show up, they are captured and sentenced to penal planets. There, a raygun battle breaks out, Stella escapes. no idea how... but she runs into the desert, a big spaceship lands, she walks onto it, and it's the bad guys, but now they are rescuing her... they free Acton too, no problem. This happens fast, every minute this movie does something science-fictional.
Plummer is the Emporer of the 1st Circle of the Universe, his holgram appears and monologues. Stella, the best pilot in the galaxy, and Acton the navigator have to save the galaxy from Zarthon. Off they go to 'the haunted stars' to find the phantom planet and Zarth's super-weapon. And, find the emporer's missing son. That's your plot.
Full tech-babblism, they look for the planet, cheap hyperspace FX, inane glib comments from robot "Ell" all the way through this epic. Stella wears a bikini and high leather boots most of the time. Amazon women on horseback appear on the beach, capture them. Now we get Queen Kararia, but Ell, who was zapped, recovers and saves Stella. They run outside onto the beach where a super-giant clumsy robot with a sword, that you should see to believe it, threatens them, but Acton saves them and we get space war with the Amazon air forces. Then an ice and snow planet, deadly dangerous cold.
A lot of off-the-wall dialogue, too much to go into here. We have a traitor... there's a 'league of darkness'. . but Acton, who could easily be called 'OverActon' saves them again, with his unknown, even to the audience - mysterious powers... he can see the future? and informs us that it is against the law to change the future.
Anyway they find the planet - Demungia, and survive a cheap FX space attack. We get 'Robot chauvanism', we get yammering cavemen attacking, we get Stella hanging upside down. Now they escape, and have to destroy the entire planet. This is better than Star Wars. Super-giant machines, more robots, more soldiers now.... Zarthon. Monlogue rant, maniacal laughter. Now, extended maniacal laughing. Light-sabre action. Whoa - time-stoppage by Plummer, using the Imperial BattleCruiser, but only 3 minutes, then everything will explode. Big raygun battle. billions lives at stake, supreme command of the Universe on the line. Quite the epic raygun battle. Good guys gonna win, but here comes the Doom Machine and some really wild monologuing. Aha- Dimensional attack! It will work, using the Floating City! All right enough, the forces of good will triumph and Stella will say something stupid and it will end. ***** Five Stars, to StarCrash! for... for sheer SpaceOperage. :alien:(y)
 
October Horror Movies (No Spoilers as usual)

The Boogie Man Will Get You (1943) A rare Noir Comedy, starring Boris Karloff and Peter Lorre. Not bad. It gives a nod and a wink to Arsenic and Old Lace.



Is that the one in which Lorre is the town's dog catcher, Sheriff, Mayor, & every other official in just the one guy? I don't want to spoil anything, & hope that will not.


The Pink Panther Strikes Again (1976) best line of the film: "Not any more." :LOL: Lom as Ex-Chief Inspector Dreyfus has abducted a scientist and his daughter and, using his doomsday machine, is holding the Earth hostage, demanding that Clouseau be killed. So, every advanced nation sends assassins to do away with him, but his dumb luck saves him every time, resulting in some 20 or so dead hit men. Again, there are several ROFL gags, though the film's end lacked them.
 
Hmmmmm, that poster of the wolfman, it looks like me when I haven't bothered to shave all week!!!
 
Whatever Happened to Baby Jane? (1962) dir. Robert Alrich

I had never seen all of this before and it was about time. In this Hollywood Gothic, Joan Crawford gets to channel all the anguish of the characters she played in the '40s into this one character, Blanche Hudson, the older sister of the title character, who is played by Bette Davis. Davis is having a hell of a good time, pinballing between ruthless conniving and insanity. This novel prolonged their careers for another 10 years, at least, and inspired a lot of older actresses to go horror -- Joan Fontaine in The Devil's Own, Olivia de Haviland in Hush, Hush Sweet Charlotte (with Davis and Mary Astor) and Lady in a Cage, among others. Oh, and Joan Bennett in ...


Suspiria (1977) dir. Dario Argento

I know I saw this 30+ years ago but remembered little except that Jessica Harper was in it. Late '70s, early '80s, she was on a roll, then seemed to disappear by the mid-'80s. Seeing this again, I think that's a shame. She has a naturalness in front of the camera that makes this work, especially since so many of the European actors seem to be over-acting. Joan Bennett and Alida Valli also star, and come off pretty good, too.

Young dancer goes to prestigious dancing school in Germany. As she enters on a rainy, wind-swept night, another student is running out and away. The latter dies in a visually spectacular and slightly nauseating manner, and we're off to the races. Seems the woman who started this school was a witch of great power. One wonders, could that have anything to do with the murder?

Not sure the sense of this holds up, but it does have a fever dream intensity.


Happy Death Day 2U (2019) dir. Christopher Landon

Sequel to Happy Death Day, which I enjoyed as a comedic take on slasher flicks mixed with Groundhog Day -- the filmmakers pretty much say as much in the movie. The cast of the first show up and this time do a comedic take on slasher flicks mixed with Back to the Future, and it mostly works, running riffs on the first movie's events, but circumstances changing enough that the characters, particularly Tree Gelbman, the heroine, is kept off-balance about what will happen next. These two movies would make good Halloween viewing for people who don't like their horror movies too scary or gory, though there are some things parents would want to review before letting younger children see them.

Randy M.
 

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