Harlan Ellison

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Harlan Jay Ellison
pen names: Cordwainer Bird, Nalrah Nosille, Lee Archer, Wallace Edmondson, Ellis Hart, E. K. Jarvis, Ivar Jorgensen, Paul Merchant, Clyde Mitchell, Pat Roeder, Jay Solo and others.

born Cleveland, Ohio: 27 May 1934
died Los Angeles, California: 28 June 2018

Harlan Ellison was an American author of all genres but known for science fiction (new wave speculative fiction), as novels, short stories, novellas, screenplays, comic-book scripts, teleplays, and also an essayist, an editor and a critic of literature, film, television, and print media. His published works include more than 1,700 items.

He was involved in fandom from an early age. Earlier in his career he insisted that he was a non-fantastic writer but his SF short stories, and non-fiction on the subject of science fiction had an enormous impact. He was known for his for his outspoken, combative personality as much as for his prolific and influential works. He was asked to leave Ohio State University, partly for being accused of rudeness to a creative-writing professor who told him he had no talent.

His first professional SF work was the short story Glow Worm (1956) in Infinity Science Fiction.

Ellison assumed a false identity and ran as a member of a New York gang in order to gain material which he used directly in his first novel, Rumble (1958). This urban imagery and violence that he also used in SF short works, would anticipate the cyberpunk works of a generation or more later.

His first SF books were a fix-up, The Man with Nine Lives (1960) and collection A Touch of Infinity (1960) and his novels were very infrequent.

In 1967, Ellison edited the first of three Dangerous Visions, new wave anthologies, the last posthumously in 2024. These were influential in the changes taking place within the genre as a whole.

His novella A Boy and His Dog (1969) (and a series of short stories) was adapted into a film. Notable amongst his other short stories are Blank… (1957), Repent, Harlequin!' Said the Ticktockman (1965), I Have No Mouth, and I Must Scream (1967), The Beast That Shouted Love at the Heart of the World (1968), The Deathbird (1973), The Cheese Stands Alone (1982) and The Man Who Rowed Christopher Columbus Ashore (1991).

Ellison is probably best-known for his TV work. He contributed scripts to Route 66, The Alfred Hitchcock Hour, The Untouchables, Burke's Law, The Man from U.N.C.L.E., The Outer Limits, and Star Trek: TOS. Among these are The Outer Limits episode, Demon with a Glass Hand (1964), the Star Trek episode, The City on the Edge of Forever (1967). He served as creative consultant to the 1980s version of The Twilight Zone and Babylon 5.

He is another author who has occasionally been the answer to queries within our SFF Chronicles Book Search forum.

A list of his works is to be found here: Summary Bibliography: Harlan Ellison

SFF Chronicles Bibliography here: Harlan Ellison Bibliography

Wikipedia page: Harlan Ellison - Wikipedia
 
It seems to me that Ellison's speculative works, although important and worthy of attention, were far outnumbered by his other works. I suspect that nonfiction (counting all his essays and columns) would be the largest number of works, possibly followed by crime/suspense stories (perhaps not as well known, but there were lots of them.

Few speculative novels, to be sure, but the mainstream novels Web of the City (AKA Rumble) and Spider Kiss (AKA Rockabilly) are notable.

Alas, he had a habit of announcing upcoming works that never came to fruition. Most infamously, The Last Dangerous Visions.

I met him once, during one of his appearances at the bookstore "A Change of Hobbit" in Los Angeles (no longer extant) and saw him at a few conventions. Quite a character indeed.
 
I know Ellison's work through his work on Babylon 5 and Star Trek. Didn't he take Cameron to court for story credit to The Terminator movie, too?

Again, i've not read any of his work, but i appreciate the influence he has on the genre. I have No Mouth and I Must Scream is on my TBR.
 
Quite a character indeed.
That is what comes across. A genuinely nice man from reading other threads at SFF Chronicles:
In my quest I wrote to Harlan Ellison. Asked him if it was one of his stories. He replied, which was very nice of him, and told me the story is indeed one of his
Not many authors would bother to reply back to a fan query.
He comes across as someone who is a perfectly nice guy, witty and charming, until you cross him. Then all hell breaks loose.

I do think it's funny the way he revels in the The Last Dangerous Visions controversy though.
He was obviously passionate about his work and his writing. He didn't suffer fools gladly, it was his road or the high road, and he didn't like editors changing his work. I can understand his dislike of the changes made to TV scripts such as The City at the Edge of Tomorrow, but equally I can see that when writing episodes for a TV series you must accept that an episode is altered to fit within a broader vision.
Didn't he take Cameron to court for story credit to The Terminator movie, too?
That never went to court and was settled out of court. James Cameron did not face legal action but Ellison, claimed Cameron's film was based on his short story Soldier from Tomorrow (1957), demanded credit, and threatened legal action. Ellison did receive credit for the story in subsequent versions of the film. Many think that he would have had a better case if he had used the Outer Limits episode A Demon With a Glass Hand to complain but Ellison clarified in a 2001 exchange with a fan at his Web site:
Terminator was not stolen from 'Demon with a Glass Hand', it was a ripoff of my OTHER Outer Limits script, 'Soldier'.
Personally, all stories must be influenced by stories people have previously read. I've read of one author who said that he never read anyone else's work so that he couldn't be influenced by anyone else. I now can't remember who it was now, but in any case, that's a crazy length to go to.
 
I know Ellison's work through his work on Babylon 5 and Star Trek. Didn't he take Cameron to court for story credit to The Terminator movie, too?

Again, i've not read any of his work, but i appreciate the influence he has on the genre. I have No Mouth and I Must Scream is on my TBR.

I Have No Mouth but I Must Scream is a great story ! :cool:Would highly recommend his short collection Deathbird Stories , Stalking the Nightmare , Strange Wine, Angry Candy . Also his Novella Mefisto in Onyx. There is alos the anthology The Essential Ellison A 50 Year Retrospective which has his best stories introductions and essay . His original Screenplay for The City On the Edge of Forever which was adapted as hardcover Graphic novel. For me, reading his was also an education because I picked up and read quite number of writers , books and stories that I otherwise would've have read or known about. :cool:


There is also film about him Dreams with Sharp Teeth made in 2007 various people from Robin Williams , Neil Gaiman to Ronald Moore all sing his praises . This film is very entertaining and fascinating . The scene with him and Robin Williams together are fun .:cool:
 
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Undoubted literary merits, and the Sf sphere would be less interesting without him. Having said that, he could come across an insufferable huckster, and I have to confess I found him a bit irritating at times.
 
FYI: Harlan Ellison's Greatest Hits is retrospective collection that was just issued in the last month or two.

His story Edgar winning story, "The Whimper of Whipped Dogs," inspired by the Kitty Genovese case (or the then wide-spread understanding of it) still makes for an uncomfortable, and so effective, read.
 
FYI: Harlan Ellison's Greatest Hits is retrospective collection that was just issued in the last month or two.

His story Edgar winning story, "The Whimper of Whipped Dogs," inspired by the Kitty Genovese case (or the then wide-spread understanding of it) still makes for an uncomfortable, and so effective, read.

A great story .



I
 
Undoubted literary merits, and the Sf sphere would be less interesting without him. Having said that, he could come across an insufferable huckster, and I have to confess I found him a bit irritating at times.

He had no filter, he spoke whatever was on his mind. More often than not, that turns people off.
 
The Cordwainer Bird pen name he reserved for television scripts written by him that were reimagined and ruined by producers. The first time he used it was for an episode he wrote for Voyage to the Bottom of the Sea. The show original titled by Ellison was Meal Time Irwin Allen rewrote it and titled it The Price Of Doom.
 
He did some acting too. He was in 3 episodes of Babylon 5 in one form or another . In one of those appearances he was opposite Walter Koenig Alfred Bester as a fellow Psycop . He had part part in episode Psi Factor with Matt Frewer and he had bit part in The short lived Masters of Science fiction episode The Discarded which was baed off the short story of the same name they he wrote.
 

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