Okay, just to clarify, here's the rough sequence of events that currently constitutes the scene:
- Foreign soldiers patrolling a third-world neighborhood detect an explosive device on roadside.
- Soldiers clear the street of civilians.
- Scan inside all nearby houses for remaining civilians. Detect an unattended infant inside one of the houses.
- Make plans to retrieve infant before eliminating explosive device.
- Sociopathic female protagonist immediately volunteers (section-members attribute to 'maternal instinct', but really just an adrenaline junkie who seeks any opportunity for danger, excitement and heroics). Breaches back door and locates infant.
- Meanwhile, mother returns to scene in panic but is prohibited from returning to house. Becomes hysterical.
- Protagonist retrieves baby inside house (clumsily, with little empathy or regard for baby's comfort). Returns infant to safety.
- Soldiers successfully neutralise explosive device and grant civilians access to area once more.
- Protagonist (who's devoid of maternal instinct) delivers baby to frantic mother (who possesses strong maternal instinct and responds with greatest outpouring of joy protagonist has ever witnessed).
- Lack of maternal instinct represents protagonist's crippled affect and emotional deprivation.
- Protagonist envious of such powerful emotions (kick-starts her desire to receive neurogenic treatment) and of the affection showered on the infant (protagonist abandoned by biological parents at birth; fuels her desire to track them down).
Hopefully that clears up the thematic reasons for the rescued individual to be an infant. Now, potential reasons for the baby being left unattended:
- Babysitter on errand, prevented from re-entering house just like mother.
- Babysitter zoned out on drugs (already established within narrative) and unresponsive to soldier's warnings.
- No babysitter; a futuristic, self-nurturing cot is enough for the mother to feel secure when she goes to work.
Well, now, if you read the comments on any story about any kind of parenting moves, you will find that every person in the known universe (except the one the article is about) is raising children who have never been out of their sight for a second, 24 hours a day. These internet comment people do not sleep, they do not eat, they do not go to the bathroom; they sit and watch their children, who are apparently always in the same room at the same time, and they do not blink. And anyone who ever does blink, or, god forbid, leave the room for a second for any reason, should be thrown in jail and have their children taken away from them.
This made me laugh. I felt the advice was pretty histrionic... but admittedly I'm not a dad.
Perhaps what we need to know is who the mother is and her circumstances, Mattersack?
The mother isn't in any way supposed to be a bad person, just one coerced by fate to lead the lifestyle she does. She really isn't a major character; just a minor character who provokes the protagonist (who, on the contrary, could be considered a 'bad' person in some regards) to realise her emotional bankruptcy and seek to remedy it.
What do you mean as far as making the child invalid.
I meant replacing the baby with a crippled adult or similar.
It sounds like you're writing outside of your life experience, and it will show. If you are trying to make a point about a topic, but can only do so in a contrived way, it's going to undermine your storytelling, and reader suspension of disbelief.
No chance of me doing 90% of the things I'm writing about in person (particularly third-world motherhood). I rely almost entirely upon research and imagination; I think this falls into the former category.
PS: As mentioned in the list above, the protagonist is even more oblivious than I am. I always try to skew the literary odds in my favour.
I've no idea if this third world marketplace you're writing about is real or an SF equivalent, nor, if it is real, whether you are writing from first hand experience, but I'd personally be a little cautious about a story which implies neglect/cruelty etc if it is meant to be a town in a real life developing country if you are writing from the comfort of the first world. I detest much of the hot air expended over cultural hegemony/appropriation and the like, but nonetheless I think it's important to examine the issues and themes of the story you are writing and think what you may be saying/implying even if only subconsciously. (And if the rescuer is white, and the local population is not white, alarm bells should really be ringing.)
There's neglect regarding the baby on both sides (although, admittedly, you didn't know that). The protagonist is white and the locals aren't, true, but that doesn't mean I intend to portray either as superior.
So, I'd say yes it is possible that this could happen, MS. As several have said you will be responsible for how you want your readers to view this mother. But please consider carefully how you present this scenario in your work--it seems too important an issue to be simply a brief plot device. Sorry again, I try to avoid posting such opinionated rants. Apologies if it's too strongly worded, CC
The actual incident itself is no more than a scene (or potentially a chapter). Neither the mother nor the child are major characters within the scope of the novel. However it has major ramifications for the protagonist and does serve to highlight the conditions endured by the local populace.