Nation by Terry Pratchett


Lemming of Discord
Jun 4, 2006
Terry Pratchett had been talking about a book called Nation he'd really wanted to write for almost half a decade when he was diagnosed with early-onset Alzheimer's. According to rumour, he'd already begun working on the next Tiffany Aching Discworld novel, I Shall Wear Midnight, but upon hearing the news he dropped it immediately to make sure Nation was written first.

Nation is not a Discworld novel, but is instead set in an alternate history very similar to our own late 19th Century when the British Empire was at its height. A tidal wave sweeps across the Great Southern Pelargic Ocean (the South Pacific) and wipes out the tribal civilisation of the Mothering Sunday Islands. In particular, the island simply known as the Nation is totally destroyed, apart from a single young man named Mau. Mau finds himself alone on his island, until he discovers the crashed remains of a foreign ship and a pale-skinned young woman who initially tries to kill him, but later invites him to tea. Soon refugees from the crisis gather on the island, and Mau realises he has the choice to rebuild the old world, or choose to do something new with his nation...

Nation is Pratchett's most serious book since his 1992 classic, Small Gods. In fact, it shares some similarities with that book and acts as another treatise on faith, religion, atheism and morality. It is slower and more thoughtful than that earlier novel, where a younger and more angry Pratchett was in full-on fiery condemnation of blind fundamentalism, but works well due to those contrasts. It isn't as funny as a typical Pratchett book, although there are a few chuckles to be found here and there, particularly what appears to be a clever inverting of one of the premises of the TV show Lost in the final chapter and epilogue. However, it is also a more spiritual book, which is interesting given Pratchett gives New Age ideas pretty short shrift in his other books. But here things happen that can't be easily explained away by science, and it's debatable whether this is Pratchett perhaps considering things in a different light or simply a facet of this world which is different to our own (and is quite reminiscent of the gods in Discworld who exist purely because people believe in them, not the other way around).

Nation is being marketed as a YA novel, but it really isn't. It's depiction of tragedy and death in the opening chapters is pretty unflinching, and occasional moments of blood and cruelty abound throughout its length. Also, the central themes are pretty weighty and not something I see young children really getting into. However, for the adult reader Nation is an interesting and thought-provoking read which raises many interesting ideas and questions, whilst remaining entertaining and well-characterised.

Nation (****) is available in the UK from Doubleday and, with a spectacularly awful cover, in the USA from HaperCollins.
I've not long read this and would recommend it for adult and young adult audiences. The two main characters are young teens, and although the opening tragedy is written in an "unflinching" manner as Werthead notes, it is not graphic - it was quite subtly done and I think teenagers would deal well with it, and also identify well with the "aloneness" of Mau and Daphne.

Anyway great review Wert, I really enjoyed this book - I think its the best of Pratchett's non-Discworld novels. Was quite disappointed when it ended.
Thanks for the review, Werthead - very helpful.

Like the Procrastinator, I finished Nation quite recently, and I'd agree with what both of you have to say. It's a good novel covering some weighty issues, and is both like and unlike much of Pratchett's previous work. I don't think many younger YA readers would enjoy it, but a more mature YA reader might well do.

I any case, I both enjoyed it, and found it illuminating.
Thanks Wert

I've been indecisive about buying Nation and your review has swayed me. I'll pick up a copy soon.
I'd have enjoyed this book and derived much food for thought from it at any point from the age of 11 onwards. Earlier on, I would at least have read it for the adventures of a young boy forced to figure things out on his own.

I can't see myself ever being too old to read this book either. An excellent novel for young adults of all ages, then.

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