9000th crit

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Mouse

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9000 and something or other, I forget what I'm on now. Anyway.

So, like I was saying in Phyrebrat's thread, I've not written since Dec 22nd. What I'm going to post next is from my other WiP (Locke & Co), which hasn't been touched since September the 9th. I'm thinking maybe I can get some ideas, or that by posting this it'll kick me into working on it again. Who knows.

This is the very last scene of what I've got so far (which is 27k), so it's not far in, really. These guys are Team Evil. Neither of them are human, one was once. I know this won't make much sense out of context but, maybe you'll still get the gist.

I'll add a question at the end...

#


Max decided that what Jacob didn't know wouldn't hurt him so he didn't bother telling him about the encounter with Poedan. Besides, it was getting dark in… he scratched his head and prodded the boy in the back.

"Oi, kid? Where are we?"

They were walking along a street lined with terraced houses that could've been almost anywhere in the world – except Max recognised the British number plates on the cars parked along the road.

"Brislington," the boy said.

"Brislington… Bristol, right? So we're back in the south west." Once they'd left Jacob, the boy had opened a door and Max had quickly followed him through it. Jacob had given them no more instructions and until they were called upon they were free to do whatever they liked. Max cleared his throat nosily and spat onto the pavement. "Any particular reason?"

The kid shrugged. "Used to live here."

"Oh." Well, that was weird. Wardens usually lost every sense of their self after Jacob turned them, but this particular nuisance seemed be clinging to his past like a limpet. "You remember your name, don't you."

"Dillon."

Max snorted. "Poncey-arse name if ever I heard one."

They continued walking in silence. Somewhere in the distance, cats screamed, setting off all the local dogs. Max debated telling Jacob he hadn't turned the boy properly, but then decided that if Jacob was losing his touch, it was nothing to do with him.

"Tia remembers her name too."

Max looked up as Dillon spoke. The warden continued walking ahead, not turning back to him. "And who the hell is Tia?"

"The girl who killed Poedan's male."

Maybe he should tell Jacob after all. He couldn't be dealing with wardens knowing their own names and having personalities and things. That was far too human. They were probably all reverting and then what would happen?

He reached out to tug on the kid's hood, telling him to stop. "Can you open a door back to the boss man for me, eh? There's a good lad."

Dillon turned around and blinked his black eyes slowly, as if he hadn't understood. "We're on free time."

"I know—"

"Don't you need to go and do your thing?"

"I don't need to do it," Max said, annoyed. "It's not like my bollocks'll explode if I don't get my leg over one night."

#

(And that's it!)

So, I stopped writing because I couldn't work out whether Max should actually go and speak to Jacob (that's the Big Bad) or not. Jacob's not appeared in the story yet other than being mentioned a couple of times by Max. Jacob turns teens into these 'Wardens' and they basically lose all their humanity. So by telling Jacob, that means Jacob has to do something about it. I didn't know what. I also didn't know whether I'd lose whatever interesting stuff I might gain by having these wardens regaining parts of their humanity. So, yeah. I just stopped. (This is what you get from not plotting).
 
Not much to say, really, other than I think it is nice and voicey, and the dialogue is snappy, too.

About Jacob - and I've not started reading L&C yet so I may be talking out of my Dillon, but I'd be tempted to get to Jacob at the end of the story. I think using it as a kind of reveal will pull you along all sorts of interesting routes to explore regarding having/withholding information. It could take you down a right old rabbit hole seeing as you're not planning the arc, which could be great.

Maybe Max can start to have a slow change-of-heart arc, too? Not telling Jacob could end up in Max feeling he has some kind of intellectual power (if that makes sense).

What are the implications for Jacob if the kids do revert?

I'd not use Locke & Co as the name for your WIP though ;) I'd forget that one, and let me have it :p

pH
 
Oh good, I'm not the only one forgets to write for a monther two atta time. *
That last line is pretty good. Maybe you could just start there, and Jacob could do something and they would explode.:rolleyes:
 
Thanks, gang. I'll find a way to stop him from telling Jacob then (when I get back to it!)

I don't know what the implications would be for Jacob. This is what you get for making sh*t up! I guess, as they're his minions/army, that if they all revert he loses his fighters.

Max is very grey. I mean, he's a demon so he's Evil, but he's not randomly evil or evil for fun. It's just who he is. So he's capable of being nice. He has done very bad things though.

re the title. Locke & Co was a placeholder name but I'm so keeping it now. :D
 
Congrats, congrats, congrats. Teethys below. :)


9000 and something or other, I forget what I'm on now. Anyway.


#


Max decided that the that what made me twitch - I think that could go and not affect your flow what Jacob didn't know wouldn't hurt him so he didn't bother telling him about the encounter with Poedan. Besides, it was getting dark in… he scratched his head and prodded the boy in the back.

"Oi, kid? Where are we?"

They were walking along a street lined with terraced houses that could've been almost anywhere in the world – except Max recognised the British number plates on the cars parked along the road.

"Brislington," the boy said.

"Brislington… Bristol, right? So we're back in the south west." Once they'd left Jacob, the boy had opened a door and Max had quickly followed him through it. Jacob had given them no more instructions and until they were called upon they were free to do whatever they liked. Max cleared his throat nosily and spat onto the pavement. "Any particular reason?"

The kid shrugged. "Used to live here."

"Oh." Well, that was weird. Wardens usually lost every sense of their self after Jacob turned them, but this particular nuisance seemed be clinging to his past like a limpet. "You remember your name, don't you.needs question mark? Feels like it does"

"Dillon."I'd like to be getting more from the kid. He seems very flat.

Max snorted. "Poncey-arse name if ever I heard one."

They continued walking in silence. Somewhere in the distance, I think this comma could go - it makes it a little stacatto cats screamed, setting off all the local dogs. Max debated telling Jacob he hadn't turned the boy properly, but then decided thatthis one made me twitch, too. A that-bo-tomy? Or maybe it's just me in editing mode...? if Jacob was losing his touch, it was nothing to do with him.Why? Aren't they partners? And if Jacob doesn't turn someone couldn't Max be in danger? If this is a plot function ie Jacob needs not to know, then I think the reasoning needs to be stronger.

"Tia remembers her name too."

Max looked up as Dillon spoke. The warden continued walking ahead, not turning back to him. "And who the hell is Tia?"

"The girl who killed Poedan's male."

Maybe he should tell Jacob after all. He couldn't be dealing with wardens knowing their own names and having personalities and things. That was far too human. They were probably all reverting and then what would happen?

He reached out to tug on the kid's hood, telling him to stop. "Can you open a door back to the boss man for me, eh? There's a good lad."

Dillon turned around and blinked his black eyes slowly, as if he hadn't understood. "We're on free time."

"I know—"

"Don't you need to go and do your thing?"

"I don't need to do it," Max said, annoyed. "It's not like my bollocks'll explode if I don't get my leg over one night."

#

(And that's it!)

So, I stopped writing because I couldn't work out whether Max should actually go and speak to Jacob (that's the Big Bad) or not. Jacob's not appeared in the story yet other than being mentioned a couple of times by Max. Jacob turns teens into these 'Wardens' and they basically lose all their humanity. So by telling Jacob, that means Jacob has to do something about it. I didn't know what. I also didn't know whether I'd lose whatever interesting stuff I might gain by having these wardens regaining parts of their humanity. So, yeah. I just stopped. (This is what you get from not plotting).

I think I answered part of your question above - it stuck out to me as not yet fully thought out, like you were sitting on the fence. If he doesn't speak to Jacob, he needs a reason and that might give you a plotty-thing in Max's story line that you don't know about yet. Don't know if that helps. :) Nice job, my stuff was just nit-picking.
 
Cheers.

No, no question mark on that'n. It's a statement. There's bits that come earlier where Dillion's peed off that Max keeps calling him 'Boy'. The wardens are basically empty vessels, robotic, so they would be flat until bits of their personality start seeping back in. Jacob and Max aren't partners.

If he doesn't speak to Jacob, which I think given what the others have said, I won't have him do... then I do need a reason for him not to. And I don't know what that is yet. Erm.

edited to add, I like Phyrebrat's reason not to tell Jacob. Intellectual power. And sneakiness.
 
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:giggle: Aw, thanks! I do find Max really easy to write, which helps. I usually write :poop:.
 
I think all writers (the good ones!) think they suck more than they do.

Characters with strong personalities are easy to write. It's the more subtle ones I find more difficult. In Locke & Co I have two leading ladies who, while in my head I know they're different, but on paper I can't help but worry they're just sounding exactly the same as each other.
 
Congrats on 9000...that's a lot..hehe

I liked it, and to mirror the rest of the gang, it was nice and voicey
 
If your not sure on the direction, you could play both scenarios out for a little bit and see where they take you. Of course, this means your sure to scrap one in the end (you may be able to get away with an outline of these two for your descision).

If Max tells Jacob, what does Jacob do and how would this work into the overall plot?

If Max doesn't tell, what happens to the Wardens? I suspect Jacob would find out eventually, does this have extra consequences for Max? and then there is the overall plot...
 
Yep, I think I need to actually plot for this one. Or at least write down some 'what ifs.' Ta!
 
I really like this Mouse :) Please keep writing it!

If he did got to Jacob then whatever he does to the Wardens doesn't have to stick, they could start getting human again. Or maybe you could find a reason that Max wants them to stay more human, and so doesn't want to tell Jacob.
 
Thanks! Ooh yeah, I could have him go to Jacob and then Jacob do whatever he did to them in the first place to make them wardens but it starts to un-do again.
 
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