Ever follow any soaps?

Ever follow any soaps?

  • Used to, very few/just one

    Votes: 6 54.5%
  • Still do, very few/just one

    Votes: 1 9.1%
  • Never have

    Votes: 3 27.3%
  • Still do, more than two

    Votes: 0 0.0%
  • Used to, more than two

    Votes: 2 18.2%

  • Total voters
    11

beccabear67

Well-Known Member
Joined
Aug 22, 2024
Messages
79
Location
Western North America
If no, why? If yes, which ones and why?

I do like meoldrama if it's done with some subtlety, but I never cared for U.S. soap operas... with the exception of (much later than when they originally aired) Dark Shadows. It was different hough, a Dan Curtis production, and I never met one of those I didn't at least like, and Kolchak The Night Stalker I was pretty avid for 'back in the day'.

Also, for a little while with a schedule I had in the '80s I found myself following one lone U.S. soap, from it's start. It was titled Santa Barbera, but before long the characters, not helped by actor changes, no longer seemed in the least worth knowing, and subplots were too long in paying off. So I dropped it. It's barely worth mentioing but it is the one straight American soap I ever gave a try, for something around a full year I think.

I have had a couple decades long on again off again relationship with the venerable English staple Coronation Street. When it's good with some character based humour it can be very good, but it has been pretty awful sometimes too. It's one I've even gone backwards on, watching the first weeks of it from late 1960. Talk about a long story! There's even one character who (last time I looked in) is still on it who appeared in the first episode. Set in a fictional district of Manchester with a mix of mostly working class locals.

A more suburban soap set near Liverpool started in the '80s (on Channel Four); named after the cul-de-sac location of Brookside, it was another I went a bit deep on, but only for awhile. It started out with more foul language and explicit stories than had been seen and then toned down

UK soaps can be every bit as formulaic as anywhere's are, but Emmerdale, originally Emmerdale Farm, had the advantage ala Thomas Hardy of a landscape that was as much a character as the people living in the Yorkshire dales. It's a poor shadow of what it was in the early days, and unlike ITV stablemate Coronation Street, they haven't kept characters from the earliest days of the 1970s. There are two from the mid '80s, but a much later addition of a sprawling family named Dingle has practically taken the place/show over. I've skipped multiple years but have started DVRing it for the last half year, so it's there when I'm wanting something other than Corrie. I used to prefer it to the older soap at one time but not for quite awhile and have two series of DVDs (one from Finland).

There was also a semi-soap also set in Yorkshire in the '70s centered on a farm for unwanted horses, Follyfoot. It ran for a few series but a rival ITV series on Black Beauty seemed to have nudged it into early retirement, but I would have kept watching that however long it would've gone. Arthur English, later on Ghosts Of Motley hall and Are You Being Served had a regular role on it.

Those are my two long standing soap poisons. I did follow the Australian Home And Away avidly back whenever it was new ('80s?), and even got hooked on a Venezuelan series titled Our Lady of The Rose focused on a woman named Gabrielle who was wrongfully imprisoned (had to keep watching until she got justice finally, a real solid soap hook when handled well). Some people look down a the form as pure trash but there are elements of soap melodrama and personality centered sub-plots in most long form series... from Upstairs Downstairs, Foyle's War, George Gently or Downton Abbey to the various Star Treks, Babylon Five, Firefly, Buffy.

Overall though, just the five shows I've bold faced are the ones I can vouch for, and for whatever they may say about me as a viewer: Dark Shadows, Coronation Street, Brookside, Emmerdale, and Follyfoot. I've gotten books on them (but never magazines), and I think that must mean I really liked/like them and at least some of the characters/actors quite a lot.
 
I did watch The Young and the Restless for a while because it came on before Donahue and after the Price is Right---and the show I watched had a black undercover cop disguised as white with makeup working for a mafia boss who had a piranha fish tank!
 
There can be only one - all hail the mighty Sunset Beach
Scroll down almost halfway, to the “Storylines” section, and you’ll see why it’s the greatest soap ever made
I think I saw a few of these and definitely noticed there was a supernatural story, but I wasn't able at that time to follow or record the show regularly. I see it's mentioned that it took the spot of Santa Barbara, the one more or less only straight U.S. soap I ever got into!
 
My last GF loved the soaps, i'd watch and enjoy them, but i would also be occupied with games on my iPad, or the internet, so i was never fully invested. They're never something i'd watch on my own. I enjoyed Casualty.

Ultimately, Soaps are just gossip with fictional characters.
 
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I watched Dallas, if not avidly.
I watched Brookside, for nostalgia. I was at Liverpool university, and very fond of a girl from West Derby, which was the area of Liverpool that Brookside Close was in.
And I watched Soap, which was hilarious.
 
Ah. The West Wing too if that's a soap.
And if Hills Street Blues counts, do Rockford, and Brooklyn 99, because you could add those 2 to my list (and Rhoda and others?). But I think we're veering off course here.
 
Ah. The West Wing too if that's a soap.
And if Hills Street Blues counts, do Rockford, and Brooklyn 99, because you could add those 2 to my list (and Rhoda and others?). But I think we're veering off course here.
I judged Hill Street Blues and the West Wing to be soaps because the story lines continued week after week, as opposed to free-standing episodes. Maybe what set them apart was the high quality production.

Oh and I forgot Doc Martin.
 
For me, soaps are programmes that set out with the intention of having no end. So constantly developing characters, story arcs and new ones appearing at regular intervals. But most importantly, made with no end date in mind.

I never understood the appeal, but appreciate there are many with the opposite opinion.
 
Yes, I used to watch a couple, back when my kids were in school. And before that Dark Shadows when I was a teenager.

I remember liking the opening of Dark Shadows with the theremin or saw sounds when it was originally on so that much later when I came upon it as an adult that's the thing I remembered (same with Coronation Street). I hardly remembered anything about the shows, if I ever stayed with them for more than a minute or two, we had ten or eleven channels (plus one in French) and I was a flipper even before remotes.

My mother used to watch The Edge Of Night. That was her one and only.
 
For me, soaps are programmes that set out with the intention of having no end. So constantly developing characters, story arcs and new ones appearing at regular intervals. But most importantly, made with no end date in mind.
I think that's a good definition. Other shows can have soap elements but the 'true' soap would be not just open ended but could also cycle all the characters from the starting lineup and still continue (which some long running ones certainly have).

I used to watch something a bit like Soap titled Mary Hartman, Mary Hartman with Louise Lasser. No idea what I saw in it at the age I was, it's possible I even took it as straight.

I found an interesting UK soap via DVD that was meant to give Coronation Street a run for it's pounds sterling in the '60s... Market In Honey Lane. Luckily it didn't run too long and they have all episodes but it's very good (and Toke Townley later of Emmerdale is a regular). Apparently East Enders which is still running is shot where Honey Lane was. Some other '60s soaps only have random episodes left to experience, so much was wiped back when videotape was expensive and soaps were considered ephemeral and of little repeat or export use back then... so Compact and The Newcomers can't really be followed today, which is sad as I think I might like them.
 
For me, soaps are programmes that set out with the intention of having no end. So constantly developing characters, story arcs and new ones appearing at regular intervals. But most importantly, made with no end date in mind.
I agree that this is a pretty good definition. And please forgive some of my light-hearted playing about with it in previous posts. I know exactly what you mean really.
I'd like to add a second condition though.
You can join it as a newcomer at any point in it's run, and only be very slightly inconvenienced by not having seen what went before.
 
I agree that this is a pretty good definition. And please forgive some of my light-hearted playing about with it in previous posts. I know exactly what you mean really.
I'd like to add a second condition though.
You can join it as a newcomer at any point in it's run, and only be very slightly inconvenienced by not having seen what went before.


Yes, with a soap you can drop in and out; for every drama that is resolved anothrr two or three will soon arise.

Hey, no worries. It's always good to look at things from different angles and generate conversation.
 
I used to run home from school to be able to see the next daily episode of the Star-Blazers cartoon (a kind of SF soap opera?). Not a soap but definitely a series that had me really hooked, perhaps even the first. Later I knew more than one person who was tape recording Hill Street Blues if they were out when it aired.

There was an SF soap in the '90s on the short-lived BSB satellite SF channel alongside vintage Doctor Who. It was titled Jupiter Moon and seemed mostly for (and cast with) young adults. It's been on DVD. The basic scenario is a school in space, sort of Grange Hill or DeGrasse High in orbit (around a moon of Jupiter).
JM3.jpg
JM7.jpg
 
Doctors I think would also count, a show that my mum really liked watching. I only watched one episode myself, which was an adaptation of M.R.James' 'Oh Whistle', shown Halloween lunchtime. It was actually very well done, and worth watching on YouTube.
 

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