Submissions Call Round-up

Phyrebrat

www.beanwriting.com
Supporter
Joined
Feb 13, 2011
Messages
5,803
Location
In your bedroom wardrobe...
Two opportunities here from an indie and.... they're HORROR!!!!! :D


Not that fussed about the May call (Western Splatterpunk) but in June they have a sea horror prompt (of Deadly Women).

They pay for drabbles and seeing as so many writers here take part in the 75 and 100s, I thought it might be worth a pitch.
 

Juliana

Juliana Spink Mills. "No capes!"
Supporter
Joined
Jun 28, 2012
Messages
5,084
Location
Connecticut, USA
Ooh, I might have something for the sea horror one! Thanks for sharing @Phyrebrat!
 

AnRoinnUltra

Cé scéal tuthóg?
Supporter
Joined
Aug 15, 2021
Messages
875
Thanks @Phyrebrat -just for anyone else learning a new word (apologies for stating the obvious to most) ...A drabble is a short work of fiction of precisely one hundred words in length, or so says the information superhighway. Splatterpunk: hyperintensive horror with no limits!
June it is so;)
 

Astro Pen

Write now.
Supporter
Joined
Jan 24, 2020
Messages
1,770
Location
Wales UK
I see.
I'll try to dissolve some saccharine in the inkwell. But I'm not sure I'll be able to swallow it.
 

Phyrebrat

www.beanwriting.com
Supporter
Joined
Feb 13, 2011
Messages
5,803
Location
In your bedroom wardrobe...
Gollancz accepting unagented novels in SFF for one month!!!
 

magpie Asylum

Active Member
Joined
Apr 23, 2022
Messages
44
I sent my latest to the Berkley one in December... Still no answer, though the open call promised a reply either way!
I have until June to write a synopsis for The Pegge and the Pendrel — never done one before so I’m dreading this. Will you sub to Gollancz?
How the heck do you write a synopsis? Like does anyone have examples....Please
 

Juliana

Juliana Spink Mills. "No capes!"
Supporter
Joined
Jun 28, 2012
Messages
5,084
Location
Connecticut, USA
How the heck do you write a synopsis?
Don't think of it as a blurb (catchy etc). Think of it as an outline, a business proposal. The aim is to condense all your key plot points into a page (or two, depending on sub guidelines). That means ending, too. The publisher (or agent) wants to know that you have a plan that follows through; that you have a beginning, middle, and end and can deliver a fully-developed story.

The trick, I've found is to write it out, no matter how long, and then cut, cut, cut until you really do have just the key points.

And yes, they're horrible.
 

Similar threads


Top