The Legend of Drizzt Series by R.A. Salvatore

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The Icewind Dale Trilogy Book 1: The Crystal Shard

Published way back in 1988, The Crystal Shard was the debut novel by R.A. Salvatore, the first novel in The Icewind Dale Trilogy (a trilogy notable for two-thirds of it taking place outside Icewind Dale) and the first in the much longer Legend of Drizzt mega-series, which now encompasses thirty-six books (thirty-nine if you count associated spin-off volumes focusing on other characters). It was also only the second novel published in the Forgotten Realms setting, the most popular fantasy shared-world setting in history, and a key reason why that setting exploded in popularity in the following months and years. It is also one of the biggest-selling and most popular Dungeons & Dragons spinoff novels of all time, possibly the biggest-selling (although it shares mighty competition from Dragons of Autumn Twilight).

As the ship that launched a thousand sub-series, it's a curiously unassuming book. The stakes are relatively low - the fate of the world is not in the balance, just a backwater wilderness way beyond the northern edge of most maps - and there's a distinctly old-fashioned feel to the book. There's a fair bit of exposition and characters are prone to making declarative statements that end in exclamation marks! Not every line, but enough to feel like you reading a book where everyone is slightly deaf and has to shout to make themselves heard. The absolute near-absence of female characters in the otherwise extremely egalitarian Forgotten Realms (only one, Catti-brie, has any lines of dialogue) is also baffling, and was somewhat odd at the time, let alone today. It's something Salvatore does fix in later books (where Catti-brie becomes a major player and more female characters appear) but I had forgotten how hugely imbalanced this first book is.

If you can overlook that, although the novel is very much not High Art, it is definitely fun. It's riper than three-year-old Stilton, but Salvatore makes up for a lack of technical skill with unbridled enthusiasm. There's fast and frenetic action scenes, and the characters may adhere to broad archetypes but they are executed well. Drizzt lacks his later mopiness at this stage and is even allowed to have some character flaws (his weakness for treasure and finding valuable magical items is something rolled back later on, but is amusing here). Indolent and morally suspect Regis gives us an answer to that question of what would have happened if one of the dodgier Sackville-Bagginses had joined the Fellowship of the Ring, and Bruenor is the most dwarfish dwarf who ever dwarfed. The only one of the core cast it's hard not to entirely like at this stage is Honourable Barbarian Warrior Wulfgar, Who Is Honourable And Stuff. Wulfgar is the kind of guy who has his own special rock where he goes to sit and be stoically honourable on (to the unbridled amusement of Catti-brie, who seems to have some kind of metatextual awareness of Wulfgar's character and needles him mercilessly about it, in one of the more modern-feeling touches to the novel). It's unsurprising that Salvatore seems to tire of Wulfgar - originally supposedly the hero and main protagonist - quite quickly and instead refocuses on the quirkier characters like Drizzt and Regis.

The book also has a splendid feel for the wider community of characters. In books like this it would be very easy to have our core foursome (Drizzt, Regis, Bruenor and Wulfgar) undertake valiant deeds that save Ten-Towns from oblivion, with the people they are saving reduced to faceless background roles. Instead, the people of the towns are depicted as fierce and independently-minded, always eager to mix it up with the various invaders and with their own internal politics that are well-described, and even bit-characters are given some complexity. Kemp, the spokesman for Targos, is both a selfish political game-player and a brave warrior eager to get to grips with the enemy. Surprisingly, Salvatore makes you care slightly more about these people more than you would for the otherwise amorphous blobs of "people we must save" in such stories.

The characterisation of the villain is also quite interesting: Akar Kessel, the mage who finds the Crystal Shard, is a complete and total imbecile and the semi-sentient Shard has to do a lot of work to mould him into a credible threat to Ten-Towns, to the point of often despairing at his total ineptitude. This is sometimes played for laughs, although darker character traits are hinted at: the fate of various "wenches" that Kessel mind-wipes into becoming his playthings - in another outbreak of 1980sness in the text - is mercifully left unaddressed. Kessel's ultimate fate is also darkly amusing.

The Crystal Shard (***½) - the literary equivalent of a Greggs Festive Bake - has not aged as well as might be hoped, but it's still a cracking adventure yarn which is well-paced, entertaining and occasionally surprising, if you can get through the wincing generated by some of the book's more dated aspects. Salvatore shows more enthusiasm than skill here, but does improve as a writer over the next few volumes. The book is available now in the UK and USA.
 
I know it's irrational, but I've always been put off by the word 'Drizzt' - to me, it sounds like a topping that you squeeze onto an ice-cream - and I've never actually bought a copy of any of the series. However, after this review, I'm wavering...
Just one thing - The Crystal Shard is listed as the fourth book in the Legend of Drizzt series - would I be better starting with it and getting the (presumably) retconned prequels if I enjoy it, or should I start with the official first book: Homeland (The Legend of Drizzt Book 1)?
 
I know it's irrational, but I've always been put off by the word 'Drizzt' - to me, it sounds like a topping that you squeeze onto an ice-cream - and I've never actually bought a copy of any of the series. However, after this review, I'm wavering...
Just one thing - The Crystal Shard is listed as the fourth book in the Legend of Drizzt series - would I be better starting with it and getting the (presumably) retconned prequels if I enjoy it, or should I start with the official first book: Homeland (The Legend of Drizzt Book 1)?

I find The Crystal Shard to work far better as the first novel in the series and the Dark Elf trilogy to work better as a prequel.
 
I find The Crystal Shard to work far better as the first novel in the series and the Dark Elf trilogy to work better as a prequel.

There is here a potential film or tv franchise here.
 
The Icewind Dale Trilogy Book 2: Streams of Silver

Having successfully saved Icewind Dale from the invading army of the sorcerer Akar Kessell - albeit at a high cost - Bruenor Battlehammer, Drizzt Do'Urden, Wulfgar and Regis embark on a new quest. This time their goal is Mithril Hall, the long-lost homeland of Bruenor. Unfortunately, Bruenor was only a child when the hall fell and has no memory of its location. The companions set out for the cities of Luskan and Silverymoon, hoping they will find clues to the Hall's whereabouts. But danger stalks the party, for the assassin Artemis Entreri is on their tail, seeking the halfling Regis, whilst the mages of Luskan are anxious for news of the Crystal Shard and are determined to recover it.

Streams of Silver (1989) is the middle volume of the Icewind Dale Trilogy but mercifully escapes "middle book syndrome" by virtue of Salvatore not planning a trilogy in the first place. The Crystal Shard had to stand well enough alone so that if it bombed, readers would not be left on too much of a cliffhanger for a sequel that would never come. Fortunately, the book did very well and two sequels were commissioned, which are more tightly connected together (the "standalone+duology" school of trilogies, which has an honourable precedent in the original Star Wars trilogy).

Streams of Silver is a less tightly-plotted book than The Crystal Shard and less epic in terms of having large armies clashing, but it's much more of a traditional Dungeons & Dragons adventure. We have our party, who even now get a cool name (The Companions of the Hall™) and they have a quest which takes them across the Savage North of the Forgotten Realms. Many, many later books would also focus on this region but it's interesting to see it in a nascent state here with a lot of the worldbuilding still in a fairly embryonic stage, to the point where Salvatore overlooks the existence of the later very high-profile city of Neverwinter, which is amusing, and Alustriel Silverhand, one of the infamous Seven Sisters, only has two sisters at this juncture. We get a nicely varied story as well, taking in political-magical intrigue in the city of Luskan, a semi-comic interlude in the whimsical wizard hamlet of Longsaddle, a more desperate long-running battle across the troll-infested Evermoors, an angsty stay in the city of Silverymoon (a bastion of peace and enlightenment where Drizzt hopes for respite, only to be turned away because of his dark elven heritage) and a final descent into Mithril Hall, presumably thoroughly checked by TSR's legal team to stave off the J.R.R. Tolkien Estate suing them into the next universe.

An interesting parallel storyline emerges where the assassin Artemis Entreri is hot on our heroes' trail and assembles an "evil party" to bring parity to their encounter, complete with its own wizard, tracker, magical construct and a reluctant guide in the form of Catti-brie, Bruenor's adopted daughter now turned hostage. Given that Catti-brie was barely even in the first book, it's good to see her have some character development in this volume.

There's a lot more female characters in general, including several among the villains, which remedies one of the oddities of the first book. There's a fair bit of action, although not quite as breathlessly over-the-top as in the first book (sadly Drizzt and Wulfgar don't get to take out two dozen giants single-handed, which was stretching credibility just a bit), and Salvatore's writing calms down. No more excited exclamation marks after every other sentence! His prose can still veer towards the cheesy (especially whenever he decides Drizzt needs to be introspective and ponder on the unfairness of the world), but it's easily accessible and straightforward. There's still more enthusiasm than skill here, but it's surprising how much fun that can be.

The novel is very much still in the "Big Mac with extra fries" mode of fantasy literature, but it does make some clumsy nods towards engaging with a big theme when it comes to racism. Drizzt is a dark elf or drow, whose people were cursed and outcast from the rest of elven civilisation ten thousand years ago after betraying the other elven peoples during the Crown Wars. As a result, Drizzt encounters extreme hostility from pretty much everyone he meets. Later Forgotten Realms fiction would cast this event as a grand tragedy, with many tens of thousands of innocent and "good" dark elves punished for the crimes of their evil brethren, with many drow fighting for redemption under the banner of the goddess Eilistraee. At this early stage in the setting's history, though, the worldbuilding is more that all the drow are evil all the time (apart from a small number who are merely totally amoral instead), and Drizzt is the only exception in the whole world. On that basis it's hard to make Drizzt's story about racism work when virtually all the other drow we meet are inherently evil (shades of Dragon Age trying to make a story about bigotry against its mages because the run the risk of being overwhelmed by evil forces, despite the fact that almost every single mage we meet does go insane and get possessed by a demon at one point or another). Later books, which introduce more nuance to the setting, do deal with the issue more successfully.

Streams of Silver (***½) is a reasonable follow-up to The Crystal Shard. Salvatore has improved as a writer, although this is still very much at the enjoyable pulp end of the literary spectrum, and makes a couple of nods at larger themes around racism, homelands and belonging in this book, which are not altogether successful. He does deliver a readable, action-packed story which moves with verve through an interesting setting. With the success of this novel a bit more assured, there's a cliffhanger ending leading into the concluding book in the trilogy, The Halfling's Gem.
 
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The Icewind Dale Trilogy Book 3: The Halfling's Gem by R.A. Salvatore

The Companions of the Hall have successfully located Mithril Hall, the ancestral home of Bruenor Battlehammer and his clansmen. Unfortunately, the quest was completed only at great cost: Bruenor was lost in combat with the shadow dragon Shimmergloom and the halfling Regis was captured by the assassin Artemis Entreri. Entreri is now taking his prisoner back to the great southern metropolis of Calimport, leaving Drizzt Do'Urden and Wulfgar with no choice but to pursue them, whilst Catti-brie organises the armies coming together to retake Mithril Hall. The pursuit is long and dangerous, and Drizzt must decide whether the recovery of his friend is true motivation, or the knowledge that Entreri is the first warrior to have ever matched him blade to blade, and how eagerly he seeks a rematch.

The Halfling's Gem (1990) wraps up R.A. Salvatore's first fantasy series, The Icewind Dale Trilogy. The Crystal Shard had introduced the world to the dark elven ranger Drizzt Do'Urden and his companions and Streams of Silver had given them an epic, Tolkienesque quest to undertake. This concluding book sees them divided and hot on the heels of one of their kidnapped fellows, a scenario ripe for pulp fantasy adventure, and that's what we get. Drizzt and company visit the grand cities of Waterdeep, Baldur's Gate, Memnon and Calimport; engage in all manner of hijinks on the high seas; and are then pitched into battle with a shadowy thieves' guild and its allies, a mixture of wizards, giants and wererats. It's mostly splendid fun.

By this third book, Salvatore has become a reasonable writer of straightforward action adventure and delivers an entertaining book in that mode. It does feel like he has larger aspirations to write an engaging travelogue of the Sword Coast (the west coast of the main Forgotten Realms continent of Faerun and the focus for many of the works in the setting), and in that respect falters; 320 pages isn't really enough time to do that and both Waterdeep and Baldur's Gate get decidedly short shrift in this book. Calimport is more fully fleshed out, but it's questionable to what extent Salvatore consulted the source material: the city's distinction of being divided into many dozen drudachs or subdistricts, each walled off from its neighbours, is not mentioned at all. As a result the unique character and flavour of Calimport is lost (Salvatore is also smarter than to rely on Arabian stereotypes for the city or Calimshan as a whole, although one hapless Memnon merchant does start leaning in that direction).

Characterisation remains reasonable and Salvatore explores some interesting ideas, such as Drizzt using a magical mask to pass as a surface elf and avoid the racist appraisals of his character stemming from his skin colour alone, and facing a crisis of identity as a result. Drizzt also has to face his motives for dealing with Entreri, and whether these stem from a desire for revenge, a desire for a rematch with a worthy foe or a genuine desire to save his friend Regis. Wulfgar also gets a fish-out-of-water storyline as he finds himself trying to survive in civilised surrounds for prolonged periods for the first time, and we meet a few more characters who will become important in future volumes of the wider Legend of Drizzt series, such as Captain Deudermont and the crew of the Sea Sprite.

On the minus side, there isn't much. This very much remains an action-focused, fast food meal of a fantasy novel and is enjoyable on that level, but those looking for a deeper, richer experience best look elsewhere.

Otherwise, The Halfling's Gem (***½) wraps up this trilogy reasonably well. From this book readers can go back to experience Drizzt's backstory in The Dark Elf Trilogy or press on to find out what happens to the Companions of the Hall and Mithril Hall next in the Legacy of the Drow Quartet (I'd strongly recommend the former). The book is available now in the UK and USA.
 
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