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Very short. Very old school cartoon style, but same goes as well to the script as it reminds me stuff from all they back in the 80's. I personally liked this cyberpunk tale, and I never would have thought something like this would be appearing on the small screen. When the blindspot appears, it's brilliant.A gang of cyborg thieves stage a high-speed heist of a heavily armoured convoy.
The only entry so far that is mixing realistic CGI with real life footage. The tale is super intriguing Alternate History/Urban Fantasy and it's mostly funny. You could write a whole book or make a movie about it. I really like that they showed the whole arc of a civilisation advancing towards inevitable death as if the fridge had somehow developed a temporal space anomaly in it.A young couple moves into an apartment and finds a lost civilisation inside their antique freezer.
Another very short, and another Scalzi's work. Modern cartoon. Speculative SF. Show dicks, tits and bums, so NSFW. But for a man who likes TT and wierdness, I didn't feel a pull from this shorty. It's strange because I usually like Scalzi's work. I liked the rats.Want to see Hitler die in a variety of comically fantastic ways? Now you can. Welcome to Multiversity!
A hyper realistic CGI SF, set in the alternative history back in the 1940's. Very nice script. Superb voice work. Some very graphic scenes, NSFW. I really enjoyed this dark, sad tale.Elite units of the Red Army fight an unholy evil deep in the ancient forests of Siberia.
'Love, Death & Robots' and the Rise of NSFW NetflixIf you haven't figured it out by the time you see a young Hitler being fellated by a Viennese sex worker, Love, Death & Robots isn't your average Netflix show.
Of course, if you haven't figured it out, you probably haven't been paying attention: "Alternate Histories," which features said act being performed upon said icon of evil, is the 17th of 18 episodes in the animated anthology. By that point, you'll have seen full frontal nudity (male, female, and demonic); you'll also have seen a zero-G rendition of 127 Hours that deserves every Foley Art award possible, plentiful crushed heads, and even more plentiful arcing ichorous spews, and a sex scene that looks like the result of Cinemax becoming a game developer. You may not want to watch with your youth group leader is all I'm saying.
The anthology, from a team of executive producers that includes David Fincher and Deadpool director Tim Miller, is a viscerally enjoyable (and just plain visceral) conflagration of the senses. It does a great many things very well, a few not so well, and takes absolutely nothing seriously. But most importantly, it signals that Netflix isn't just paying lip service to the spirit of experimentation. The more naked and gleaming the streaming platform is willing to become, the more urgent its programming will be—and the better it will withstand the coming