In the mid 70's there was Star Trek Phase II which was aimed at Syndication as well . The Motion Picture ended that before it starred . Probably just as well because if it had gone to series in the 70's it might not have made it past the first or second .I read that ST:TOS benefitted from syndicate re-runs. Small TV networks needed to fill the screen and in the early 70 ST:TOS was cheap filler.
It found a new audience with teenagers and then Star Wars arrived...
ST:TMP was fairly successful, as were the next three and now Paramount had a franchise.
I think that a problem with Babylon 5, but also with DS9, or also with any SFF set on an island, so include Lost or any fantasy island, is that being stuck on a space station or on an island, the stories and the visitors must come to you. With a ship-based story, you can go anywhere the writer's imagination will take you, but more crucially, you can visit a completely different place each episode.Babylon 5 had the best of all but had very poor syndication, and because of this still remains something of a cult hit rather than a mainstream phenomenon.
This was my experience with the show in real time, exactly Brian. There wasn't a lot of quality SF on TV back at that time (early-mid 90s). I'd grown disillusioned with Star Trek TNG after a few years, and was thrilled when Babylon 5 premiered....but Babylon 5 had the best of all but had very poor syndication...
I think that a problem with Babylon 5, but also with DS9, or also with any SFF set on an island, so include Lost or any fantasy island, is that being stuck on a space station or on an island, the stories and the visitors must come to you. With a ship-based story, you can go anywhere the writer's imagination will take you, but more crucially, you can visit a completely different place each episode.
You would expect that after so many different TV series set on a spaceship/starship/TARDIS, that people might be bored with that format now, but obviously not as they are still making them. So, I do think that the ship-based series must work better.
You would expect that after so many different TV series set on a spaceship/starship/TARDIS, that people might be bored with that format now, but obviously not as they are still making them. So, I do think that the ship-based series must work better.
If that was in reply to me, then I would assume that the Section 31 series will stretch across the whole Star Trek universe over multiple different ships, planets and locations. I would assume that the Starfleet Academy series will be more parochial and have stories set within the confines of the San Francisco based academy and medical school, it's classrooms, grounds and the undergraduate's holidays. I think you can see which of those has a greater scope and that I expect will be more successful, and have a longer life. That doesn't mean at all that there aren't good stories to be told within both.They're doing a Section 31 Project and Starfleet Academy.
I have seen it described as a communist utopia although it also suggests salvation through technology--not so much the original series but TNG relied many times on scenarios where technology saves the day.The result is, interestingly enough, a Communist utopia: with an abundance of resources and energy thanks to advanced technology people are no longer in want. With that, there's little need for credit, and with that the drive to profit, fame, etc. Instead, individuals pursue what intellectuals like Plato and Confucius imagined for humanity: the pursuit not of happiness for its own sake but the search for meaning, and based on cultivation of the self.
Maybe deep down people in the real world have that same vision without knowing it, which is why several appreciate this show.