Ihe
Forum Revolutionary
- Joined
- Apr 4, 2015
- Messages
- 1,119
Hey, I've been recently re-watching Sherlock, with all its season ending cop outs, and I can't help but think in terms of novel plot. What happens when you've grown too many clever threads and have made the baddie too powerful? The overly scary, overly powerful, overly smart villain is a sure way to raise the stakes through the roof (and is used to great effect in the Sherlock series--till the last 2 minutes of every season, that is). But what happens when you don't really know how to conclude the story because, well, you've written yourself into a corner and there's nothing the MC can actually do with the resources at his/her disposal to beat the villain in a satisfying way? How can you avoid a deus ex machina/cop out? Are these plot devices ever used in a positive way in books?
This problem, of course, applies to a "gardener" style writer, not an "architect" style one. I consider myself more of a gardener type, and might eventually find myself in a pickle concerning this problem, as my WiP (in very early stages for now) has a practically invincible villain.
This problem, of course, applies to a "gardener" style writer, not an "architect" style one. I consider myself more of a gardener type, and might eventually find myself in a pickle concerning this problem, as my WiP (in very early stages for now) has a practically invincible villain.