THE WOMAN HUNTER - 1972 -Barbara Eden in Mexico being stalked by Stuart Whitman. Good acting but the ending (someone being hit by a rock) is kind of humorous in how it speedily resolves the story.
MANHUNTER - 1974 - Pilot movie for a Quinn Martin show starring Ken Howard as a soldier back from China(?) in the early 1930s and is compelled to hunt down a Bonnie and Clyde gang that killed a friend and his dog. What is most surprising is how unlike the usual QM protagonists Howard is (thinking of Cannon or Barnaby Jones) He's like a Ron Ely or Bo Svenson humble but intelligent country boy without any stereotypical baggage. He's like a Captain America of the Depression era who sets out to capture dangerous bank robbers. I am not surprised it didn't last as a series though.
ZOLTAN: HOUND OF DRACULA 1977 -- Heard of this for ages--finally saw it. Surprised how well-made it is--with Jose Ferrer traveling to America to find the last of the Draculas (Michael Pataki) to warn him about a vampire dog seeking him out. The cinematography is very good for such an economical shoot, with one particular sequence where Reggie Nalder--as the creepy Dracula disciple is staring eye to eye with the dog before the latter runs off on a mission. I give them massive credit for treating it seriously until the final shot.
MANHUNTER - 1974 - Pilot movie for a Quinn Martin show starring Ken Howard as a soldier back from China(?) in the early 1930s and is compelled to hunt down a Bonnie and Clyde gang that killed a friend and his dog. What is most surprising is how unlike the usual QM protagonists Howard is (thinking of Cannon or Barnaby Jones) He's like a Ron Ely or Bo Svenson humble but intelligent country boy without any stereotypical baggage. He's like a Captain America of the Depression era who sets out to capture dangerous bank robbers. I am not surprised it didn't last as a series though.
ZOLTAN: HOUND OF DRACULA 1977 -- Heard of this for ages--finally saw it. Surprised how well-made it is--with Jose Ferrer traveling to America to find the last of the Draculas (Michael Pataki) to warn him about a vampire dog seeking him out. The cinematography is very good for such an economical shoot, with one particular sequence where Reggie Nalder--as the creepy Dracula disciple is staring eye to eye with the dog before the latter runs off on a mission. I give them massive credit for treating it seriously until the final shot.