What was the last movie you saw?

THE AFRICAN QUEEN (1951) British Missionaries Rose Sayer (Katharine Hepburn) & Reverend Samuel Sayer (Robert Morley) in a village consisting of grass huts get a visit from Charlie Allnut (Humphrey Bogart), the capt. of a run down steamer who, among other things, delivers mail. He also tells them there is a war in Europe. Almost immediately, after the ship departs, the enemy army sweeps in, burns the huts, and takes the natives away. The Reverend's mind snaps, and he is reduced to the mentality of a child. He soon dies. Despite the forgiveness associated with Christianity, Rose Sayer seemingly wants revenge. Next time Allnut comes, she goes with him, with vengeance in her mind. She wants to sink the enemy's ship that controls a lake at the far end of the river, a thing that Allnut tells her is simply impossible.

Great film! Long time since I had seen it. Though, I can easily state that it was beyond improbable.
 
Watched Our Man In Havana for the first time in decades. I did not remember Alec Guinness' scheme falling apart so abruptly.
I appreciate that there were several scenes where the action is not totally spelled out, leaving the watcher to put the pieces together. I think that this might be called "Respecting the Viewer."
Most of all, the pleasure comes from watching Alec Guinness navigate through bureaucracy, corruption and violence with his seemingly unruffled demeanor. Ernie Kovacs' police chief is also a standup performance, that makes me wish that he had been in more films.
I note that the screenplay was actually written by the book author, Graham Greene, and that Carol Reed, a somewhat underappreciated director was probably responsible for bringing out the best in the cast.
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And here's a fan on the set watching a film about pre-revolutionary corruption.
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Also stars Ralph Richardson, Noel Coward, Maureen O'Hara & Burl Ives.
 
THE AFRICAN QUEEN (1951) British Missionaries Rose Sayer (Katharine Hepburn) & Reverend Samuel Sayer (Robert Morley) in a village consisting of grass huts get a visit from Charlie Allnut (Humphrey Bogart), the capt. of a run down steamer who, among other things, delivers mail. He also tells them there is a war in Europe. Almost immediately, after the ship departs, the enemy army sweeps in, burns the huts, and takes the natives away. The Reverend's mind snaps, and he is reduced to the mentality of a child. He soon dies. Despite the forgiveness associated with Christianity, Rose Sayer seemingly wants revenge. Next time Allnut comes, she goes with him, with vengeance in her mind. She wants to sink the enemy's ship that controls a lake at the far end of the river, a thing that Allnut tells her is simply impossible.

Great film! Long time since I had seen it. Though, I can easily state that it was beyond improbable.


Great film. Very funny cameo in 'Road to Bali' as well, where Bob Hope finds Bogie's Oscar.:ROFLMAO:
 
Watched Our Man In Havana for the first time in decades. I did not remember Alec Guinness' scheme falling apart so abruptly.
I appreciate that there were several scenes where the action is not totally spelled out, leaving the watcher to put the pieces together. I think that this might be called "Respecting the Viewer."
Most of all, the pleasure comes from watching Alec Guinness navigate through bureaucracy, corruption and violence with his seemingly unruffled demeanor. Ernie Kovacs' police chief is also a standup performance, that makes me wish that he had been in more films.
I note that the screenplay was actually written by the book author, Graham Greene, and that Carol Reed, a somewhat underappreciated director was probably responsible for bringing out the best in the cast.
images


And here's a fan on the set watching a film about pre-revolutionary corruption.
images


Also stars Ralph Richardson, Noel Coward, Maureen O'Hara & Burl Ives.
Great film. Great novel.
 
Thanks, I was sure there was another version, couldn't remember the title.

Just watched a trailer and it looks to be 100% better than 'Mincemeat'. A nice touch was that the real Ewen Monatgu got a minor role as an admiral admonishing the person who plays him in in The Man Who Never Was, which must have seemed quite surreal.

Apart from 'Fury' which was an interesting diversion, I haven't seen a decent WWII movie since Saving Private Ryan - 25 years ago now.:oops:
Hacksaw Ridge is pretty good.
 
I used to addicted to this movie. I watched it in theaters four times, and many times after that.

Netflix's version of All Quiet On the Western Front is also worth watching.


Hacksaw is a good movie. Tbh I have more interest in the European/Africa theatres of WW2 than the war in the East against Japan, although Hacksaw was very good, and I do like the classics like River Kwai and Empire of the sun.
 
I'm always on the lookout for new auteur films and this hit the spot. I suppose you could label it as Islandic Folk Horror. Gorgeous cinematography as well, albeit bleak. A film that should stimulate some good conversation over coffee (or whatever your drink of choice is).

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The Omen

Having seen 'Rosemary's Baby' since I last watched this movie, I now realise that there are better movies of this type than The Omen. Having said that, this is still a very good movie with some genuinely scary bits. Brilliant cameos by Patrick Troughton and in particular David Warner, but Gregory Peck is outstanding. Very atmospheric., and much better than the (extremely) pointless remake.
 
Mulholland Drive - with D#2, me for the fourth or fifth time, her for the first (her first David Lynch too). Still my favourite Lynch - it strikes just the right mix of Lynchian weird and understandable narrative structure. This time, maybe because I was watching it with someone, or because it was the 4th or 5th time I have seen it, I found the narrative part more obvious than I had remembered..
 
Mulholland Drive - with D#2, me for the fourth or fifth time, her for the first (her first David Lynch too). Still my favourite Lynch - it strikes just the right mix of Lynchian weird and understandable narrative structure. This time, maybe because I was watching it with someone, or because it was the 4th or 5th time I have seen it, I found the narrative part more obvious than I had remembered..


Have you seen The Straight Story? I really liked that movie.
 
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Pitts is an aging spinster mistaken for gangster queen Ma Barker as she tries to rescue a boxer from involvement with the mob in this 1942 crime comedy. Easy to watch.
 
Interstellar (2014).

I missed out on this film, and I don’t know why the hell I’ve been avoiding it all these years. It is great.

A dystopia where a blight kills almost all crops and dust storms are everywhere would’ve been the end of me. I’m allergic to dust, and I certainly wouldn’t want to survive eating only corn. Honestly, I prefer zombies :LOL: :LOL:

I enjoyed the editing. Cuts were precise.

But it was troublesome watching with headphones on though. In the dialogue scenes, their voices are too low; whereas in the action scenes, I thought my ears would pop.

And about the exposition problem that appears on almost every Nolan film: yes, it is here too, but it didn’t feel patronizing. Certainly not as patronizing as Inception (2010) and TeneT (2020). But I’d like to point out that the explanation on wormholes is exactly the same one that Sam Neil gives in Event Horizon (1997).
 
I'm always on the lookout for new auteur films and this hit the spot. I suppose you could label it as Islandic Folk Horror. Gorgeous cinematography as well, albeit bleak. A film that should stimulate some good conversation over coffee (or whatever your drink of choice is).

LAMB_Poster_Small-1500x2222.jpg
Another great one by A24!
 
And Now the Screaming Starts 1973 - Amicus Gothic horror - a rarity for them since they usually did modern-set stories. Also unusual in that it is woman-focused. Stephanie Beacham is the central character and has a lot of emotive requirements (beginning with "rape by ghost" which is not made clear at first). Silas, son of Silas lets it be known to the heirs of Fengriffen that it premiered 50 years ago today.
 
And Now the Screaming Starts 1973 - Amicus Gothic horror - a rarity for them since they usually did modern-set stories. Also unusual in that it is woman-focused. Stephanie Beacham is the central character and has a lot of emotive requirements (beginning with "rape by ghost" which is not made clear at first). Silas, son of Silas lets it be known to the heirs of Fengriffen that it premiered 50 years ago today.


An interesting film. My own review from eight years ago:

~~And Now the Screaming Starts! (1973)

Directed by Roy Ward Baker; written by Roger Marshall, from the novella "Fengriffen" by David Case.

Some say no evil thing that walks by night,
In fog or fire, by lake or moorish fen,
Blue meagre hag, or stubborn unlaid ghost
That breaks his magic chains at curfew time,
No goblin, or swart fairy of the mine,
Hath hurtful power o'er true virginity.


-- Cromus by John Milton, lines 432 to 437

. . . for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation . . .

-- Exodus 20:5 (excerpt), King James Version


Both of these quotes feature prominently in the gothic horror film ~~And Now the Screaming Starts!. (Yes, both the exclamation point and the very strange double tilde appear in the title, making it the the typographically oddest film title I know, with the possible exception of the 1971 heist comedy $.) The first, from a 1634 masque by the great poet and seen early in the film, can only be taken as a bitterly ironic prediction of events to follow. In the universe in which this movie takes place, both human and supernatural evil have very hurtful power indeed over "true virginity." The Biblical quote, which appears just before the closing credits, is a sadly accurate commentary on the story we have just seen, although the visiting of the iniquity of an ancestor is by no means the work of God, but something much more sinister.

The story is set in the late 18th century. Our protagonist is a young woman on her way to a stately manor home, in order to be married to the young, handsome lord. They seem to be very much in love, and some parts of this movie suggest a Gothic Romance novel. As we'll see, however, events will be much more horrible than romantic.

Within a few minutes the bride-to-be sees a ghostly figure, with a bloody stump where one hand should be, and two bloody gaping holes where eyes should be, emerging from the portrait of her husband-to-be's grandfather. Very soon thereafter we see a severed hand crawling on the floor, and it's only a short time later when we witness the unfortunate young woman attacked in her bed by the spectral hand.

At this point it seems as if the movie is going to be an old-fashioned, spooky, slightly silly haunted house flick, with the gruesome but somewhat laughable crawling hand strangling folks. However, the movie has several unexpected surprises in store, and its tone grows darker as it goes on.

I will not discuss plot details, but it won't surprise you that the story involves a Dark Family Secret. Suffice to say that first-billed Peter Cushing doesn't show up until about halfway through the movie. Appropriate to the time period, he plays a man of the Enlightment, a skeptical doctor summoned to examine the young woman's mental health. Second-billed Herbert Lom doesn't show up until even later, in a flashback sequence which explains the source of the haunting. Third-billed Patrick Magee shows up pretty early, but he plays a small part. The movie really belongs to fourth-billed Stephanie Beacham as the tormented woman, and she does a fine job, worthy of those three more famous actors.

~~And Now the Screaming Starts! has a reputation of being mediocre. One of the few full-length horror films from Amicus, a studio better known for its horror anthologies, I found it compelling, growing even more so as the story progressed. It seems to me that this movie might appeal a bit more to some female horror fans than some male horror fans. Not only is there a touch of romance, in a few brief scenes of tender intimacy; not only is the protagonist beautiful, and dressed in an array of lovely gowns; but elements of the story may seem more powerful to some women.
 
An interesting film. My own review from eight years ago:
Okay. I'm going to have to track that down. I read Case's "Fengriffen" a few years back, found it okay but maybe not quite as involving for me as some Gothic tales by his contemporary, Ray Russell. And, too, I've liked Beacham in what little I've seen her in.
 
An interesting film. My own review from eight years ago:
Your review covers all the points. It's one I revisit now and then, but I tend to overlook it when thinking of Amicus. The title is so weird--it tends to burden the film like the severed hand of a woodsman haunting an old estate. The story is such a dark idea--it is similar to Rosemary's Baby but even darker than that actually because it stems from human action, not demons. And the cottage scene with Lom and company is played out well because it shows how a drunken capricious act leads to even greater animosity and wrongdoing. It wasn't turned into caricature either since Sir Henry's men hesitate when he tells them to bring Silas to the chopping block. It is interesting that his gang are not aristocrats but commoners. The class divide isn't so explicit in this case--especially since we learn Sir Henry was remorseful.
Beacham said in the audio commentary (there's also one with Ogilvy--fascinating to hear their comments on the film and also the genre) that she felt her reaction should have been to throw the baby into a wall or that was the original idea they had planned. You can see in her reaction --she's conflicted what to do.
The film could have fallen into parody or something if she had been less capable to handle it. Of her generation, she is perhaps the closest to another Barbara Shelley or Hazel Court for intelligent performance. I also wondered while watching how much Euro gothic (Barbara Steele films) may be a predecessor to this because those Italian Spanish costume horror films could get pretty dark too.
 
Blinded by the Light [2019, Gurinder Chadha]
Inspired by the life of journalist Sarfraz Manzoor, this film is an ode to growing up different from everyone, with a Bruce Springsteen soundtrack.
With the background of the mid-80s in Thatcher's Britain and racial tensions in Luton misfit Javed Khan [Viveik Kalra] discovers the music of Bruce Springsteen. The songs speak to him and his world's hopes and expectations, begin to change.
Viveik Kalra is believable as a slightly lost young man coming to grips with the world around him.
The other young leads are just as good.
A solid British cast includes Kulvinder Ghir, Sally Phillips, Rob Brydon, and Hayley Atwell.
It is from the same director as Bend It Like Beckham, so don't expect neo-realism but the trial and tribulation of life are not ignored.
The songs are used perfectly. There is even a hint of Bollywood Bruce.
 

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