I have not seen the film, but the book is terrific.
Yes , The book was great.
The movie not so great.
I have not seen the film, but the book is terrific.
Duel
Not as good a movie as I remember it being. Although it's effectively a 90 minute car chase, it does keep your interest, but I just think that the ending is just a little unsatisfactory. It's almost a great movie, but perhaps they may have been better sticking to the original 75 minute running time.
The Hitcher, which I consider to be in the same universe as Duel, is for me the better movie.
Love that film so muchA re-watch of Silent Running. I love this 1972 film. I’d forgotten the Joan Baez infused soundtrack.
About 10 years ago I was passing through Berlin to a wedding in Poland. On the night of the wedding there was a full restored showing of Nosferatu with a live orchestra [and I think a talk about it before hand] at a theatre in Berlin.Noseferatu— special showing at local theater with accompanist on electric organ. Very glad I saw this. I now realize that I have been seeing homages to this film—particularly Max Schreck—all my life.
It’s hard to watch such a historic movie in modern times though. The audience (myself included) would just burst out laughing at scenes and effects that 1920s viewers would not have found funny.
You're right about the homages. They're everywhere. Nightmare Before Christmas comes to mind. And besides the direct references to Max Schreck, German Expressionism led directly to American Film Noir.Noseferatu— special showing at local theater with accompanist on electric organ. Very glad I saw this. I now realize that I have been seeing homages to this film—particularly Max Schreck—all my life.
It’s hard to watch such a historic movie in modern times though. The audience (myself included) would just burst out laughing at scenes and effects that 1920s viewers would not have found funny.
You're right about the homages. They're everywhere. Nightmare Before Christmas comes to mind. And besides the direct references to Max Schreck, German Expressionism led directly to American Film Noir.
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