I'll have to go for Elric, I suppose, though J. C. is a very close second (and why not? the first chapters of
The Final Programme were rewritings in contemporary terms of the first published Elric stories -- "The Dreaming City" in
Science Fantasy for June, 1961; and "While the Gods Laugh" in
Science Fantasy for October, 1961). However, it should be noted that virtually all Moorcock's fiction has been subsumed into the cycle at this point, not simply his fantasy work, nor even fantasy and sf. This tends to complicate things for people new to his work, but I think I understand why he has done it. And his versatility is, to me, one of the fascinating things about what he writes; one can never quite predict what his next piece will be like, except that he has grown into an excellent novelist over the years (
Mother London,
Blood,
The Brothel in Rosenstrasse, the Pyat novels). Sometime I'd like to start a nice discussion of how he's handled some of his themes as his views have changed -- and even his non-fiction writings are closely tied in with the issues he explores in his fiction. Been a while since I visited Moorcock extensively, and I haven't read anything he's published in the last 2-3 years, so I ought to buckle down and start that again. As they say, so many books, so little time......