On the right track?

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NbDawn

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I'm trying to write in deep-third point of view. However, most of my beta readers are demanding more detail. Does this pull it off? Does it grab your attention? Other critiques?

Chapter 1
All systems were normal—normal to the point of insipidness. Commander J.D. Hapker fought the urge to yawn. The warm beige of the starship’s bridge warped into a fuzzy canvas as his eyes lost focus. The stats and figures displayed on the broad viewscreen blurred into a monotonous haze. His heavy eyelids closed of their own volition.

He snapped rigidly straight in his chair and blinked rapidly. The room sharpened. Heat spread across his face as he glanced around.

Good. No one seemed to notice his lapse. Straight-backed officers sat at each of the six stations arrayed in a crescent at the front of the bridge—engrossed in their work, just as before. Their hands moved diligently along their consoles with the precision of industrial bots, though with an intelligence that even today’s technology couldn’t mimic. Only the best applicants were commissioned into the Prontaean Alliance fleet.

He sucked in a deep breath, letting his lungs expand his chest and stretch his back. He was their new chief commander and if he expected his career with the Prontaean Aliance to last much longer, he’d best not fall asleep on the job.

“Sir,” The communications officer’s tone struck through the lull. “We’re getting a distress signal from outside the Hellana system.”

J.D.’s reverie cleared away like a ship coming out of the gloominess of a dense nebula. Finally, something to break this endless traipse. He moved to rub his eyes but raked his fingers through his short hair instead. Best not make a bad impression.

“From who?” His voice came out louder than intended and with an edge of eagerness to it.

Lt. Brenson pressed the side of his half-bald head into the earpiece designed specifically for the unique inner and outer shape of his pointed ears. “It’s coming from a Tredon ship, Sir.”

J.D.’s skin prickled. Weeks of no activity along this border, and now I’m finally going to meet the infamous warriors I’d read so much about.

He tapped the comm on his console. “Captain, you’re needed on the bridge.” Again. “Lt. Commander Bracht, to the bridge.”

Lt. Brenson turned to him with a tilted head and wrinkled forehead. “Sir, the signal translation says they’re being pursued by the Grapnes.”

What the heck? This had to be the first. The galaxy’s fiercest warriors being chased by the vultures of the galaxy. Though his father had always said never judge a wolf by the actions of its pack, every Grapne he’d ever met was pretty much the same—sneaky and dishonest, yet fortunately not smart enough to be of any real threat.

So how’d they manage to get the Tredons running? “Locate the signal source and put it on the screen.”

“Yes, Sir.”

He’d never met a Tredon and hoped he never would. Tredon, from the word Tredahn, meaning to tread upon, his textbook had read. It started out as a nickname, but as the ancient Genshi culture grew through subjugation so did the name.

He shook his head. Mankind never seems to change. Despite being given a fresh start on hundreds of terraformed planets, the history of ancient Earth was destined to keep repeating itself with those bent on violent conquest. Only this time, instead of continents it was planets.

Don’t they get that violence creates more woes than it resolves? They were all human, after all. If only the Tredon culture was as enlightened as his own.

Captain Robert Arden entered the bridge with a solid and solemn gait. He stepped onto the upper platform and settled in the chair beside him.

“Report.” The captain’s dark beard covered most of his face, giving him a rough look despite being well groomed. Gray striped his temples like bars of iron and his eyes were like the bladed crystals of kyanite.

The captain’s rough tone made J.D.’s stomach do a flip. He’d served under harsh leaders before, but Captain Arden gripped his career by its heart. “A Tredon ship reports they’re being pursued by Grapnes.”

Captain Arden’s dark bushy brows twitched downward and a frown appeared through his full beard.

“I’ve called Lt. Commander Bracht to the bridge,” he added. His stomach did another somersault. The tension of dealing with a race of brutal warriors combined with the fear of failing his new captain was almost too much.

The captain acknowledged him with a slight head movement. “Do your scanners pick up a Grapne ship?” he asked Lt. Brenson.

The lieutenant reviewed the information on his console. “I do detect another ship, Sir.”

“Forward the coordinates to the helm.” Captain Arden’s tone was even and calm. “Jensin, set a course to intercept.”

Helm. Should I have told Brenson to send it to both the viewscreen and to Jensin? Every captain demanded a different level of initiative from his commanding officer and after three months with Captain Arden, he still had no idea what the man expected of him.

The ship jolted, indicating the Odyssey’s change of direction and speed. J.D. reflexively gripped the armrest of his chair. It didn’t matter how well the Odyssey crew maintained their inertial dampeners. He’d never be completely at ease with certain aspects of space travel.

The hulking form of the chief of security bombarded onto the bridge. Lt. Commander Bracht’s heavy boots clopped like those of a huge draft horse as he made his way to the tactical station on the captain’s other side. He landed in his chair with a thump. His face held an uncompromising expression.

J.D.’s stomach hardened. He’d encountered Rabnoshks on a number of occasions but only Lt. Commander Bracht seemed to embody every unpleasant stereotype he’d ever heard—loud and abrasive, limbs like tree trunks, and, most unsettling, front teeth filed to reveal a carnivorous snarl. His unruly blonde hair made him look wild. And his mustache hung like daggers on the side of his mouth.

Warrior or not, Bracht certainly wouldn’t have been his first choice as security chief. Or his second, third, or even last. But Captain Arden had a reputation for commissioning officers no one else wanted.

His gut twisted. He was one of those undesirables. Had he been given any other choice other than to resign, he never would have accepted Captain Arden’s offer to be his chief commander.

It could be worse. At least that’s what his father had said.

The front viewscreen switched from the displayed data to a single digitized image. Two dots moved rapidly towards a planet with the dot of their own ship still outside the solar system.

"Something isn’t right." It was a dumb thing to say, but something had to fill the silence of his thoughts.

The captain didn’t respond, not in sound or gesture. The man seemed as cool as ever.

J.D. suppressed another urge to fidget. Yep. Dumb. He thinks I’m an idiot. A year ago, he had the confidence to deal with anyone and any situation. He’d been the fleet’s most promising officer, moving up rapidly in the ranks and even receiving a medal. But ever since Kimpke…

He pushed his worries aside. He had more important things to deal with right now than the state of his career and whether or not he was making a bad impression on his new captain.
 
Okay, overall, I feel like you are definitely on the right track. With some minor exceptions, you managed to keep my attention focused and kept me reading along at a steady pace. The level of detail felt good, not too overbearing, but enough to suggest a world that I wanted to know more about.

Not necessarily related to the level of detail, but I found J.D. to be well-written. Especially towards the end, I already felt like I understood him wel and empathised with him to some extent.

In my opinion, you just did really well. I wanted to read on. There are some minor niggles, though.

He snapped rigidly straight in his chair and blinked rapidly.

I would get rid of rigidly. Partly because you've already got rapidly later on, and I feel like the flow of the sentence would just be more to my liking.

Lt. Brenson pressed the side of his half-bald head into the earpiece designed specifically for the unique inner and outer shape of his pointed ears. “It’s coming from a Tredon ship, Sir.”

I would personally delete the bit in red. It adds no level of detail, just extra words. I think the sentence reads more pleasantly this way as well. I'm also a bit confused as to how he pushes his head into his earpiece. Wouldn't it make more sense for his fingers to push? Or am I missing something here?

J.D.’s skin prickled. Weeks of no activity along this border, and now I’m finally going to meet the infamous warriors I’d read so much about.

Here he seems eager to meet these Tredon, whereas later on he appears unwilling to meet these people. Inconsistent. Also, I believe it should be 'I've read' if your tenses are to remain consistent.

yet fortunately not smart enough to be of any real threat.

Shouldn't it be 'of any concern' or 'a real threat'? I've never heard 'be of any threat'.

He’d never met a Tredon and hoped he never would. Tredon, from the word Tredahn, meaning to tread upon, his textbook had read. It started out as a nickname, but as the ancient Genshi culture grew through subjugation so did the name.

This is the only bit of detail that I found to be a bit too much. Specifically the bit 'from the word Tredahn' just stopped me dead in my tracks, and that's with me being interested in linguistics and languages. It just felt out of place. I liked the rest of the description a lot, though.

Captain Arden’s dark bushy brows twitched downward and a frown appeared through his full beard.

A frown is made with the eyebrows, so it doesn't really show through the beard.

The hulking form of the chief of security bombarded onto the bridge.

I feel like the verb bombarded gives the wrong image here. To me, he literally made a cannonball into the bridge-area. I don't think that's the image you want here.

Hope it helps~
 
Overall I liked the piece. I thought it was well-written with very few typos and so forth. Aside from the improvements @Ragandar has suggested, some general thoughts... I've got mixed feelings about the start, particularly as it's Chapter 1. Beginning with a kind of "everything's normal" situation is, I think, hard to make work. It felt like just information until this point:
“Sir,” The communications officer’s tone struck through the lull. “We’re getting a distress signal from outside the Hellana system.”
For me, it would make more impact if it opened with a deafening klaxon and JD jumping out of his chair or something like that.

However, most of my beta readers are demanding more detail
Is that about this passage in particular, or the story/novel as a whole? I can see where they're coming from - there is detail, but for me it isn't necessarily the right detail, it's like you're zooming in the camera but just off-centre. For example:
Tredon, from the word Tredahn, meaning to tread upon, his textbook had read.
feels like something that we might not need to know in Chapter 1, but could be dropped in later.

I started to struggle a bit about here:
Lt. Commander Bracht’s heavy boots clopped like those of a huge draft horse as he made his way to the tactical station on the captain’s other side.
The analogy felt a little forced, resulting in an unwieldy sentence that pulled me out a bit. It might, in part, be due to the number of characters as well: at this point we've met JD, a lieutenant, the captain, AND the Lt Commander within the first 1,000 words. It's tricky with a military bridge situation to distinguish those officers without strong identifiers, whether it's mannerisms, speech, or behaviours. There's telling of what they're like -
Gray striped his temples like bars of iron and his eyes were like the bladed crystals of kyanite.
- but if you can show us what each is like and how he's different from the others I think it will make them more memorable. Something like this, which I think is great:
Should I have told Brenson to send it to both the viewscreen and to Jensin?
and gives us a real sense of JD. I kind of felt we needed something comparable for the others - e.g. the Lt Commander ploughing straight into the corner of a workstation because he just ploughs through everything like a tank. That kind of thing.

I like it, but I'd like to see it more punchy, with more urgency:)
 
I'm afraid I struggled with this.

The first is that - as a general rule - the emotions of the characters are the emotions you want your readers to experience. So if your grand opening is that...your character is bored...and continues to be bored through the first page...the question is what effect this will have on the reader. More technically, it means nothing is happening and your story has started too early.

his pointed ears

This screams "derivative of Star Trek" - which may or may not be a good thing. Certainly there are popular military SF books I've picked up which appear to be. However, at present you've added nothing unique that says you stand apart from this, and instead this sort of direct reference so early on says you're more familiar with TV shows rather than SF novels, which may or may not be a Very Bad Thing.

The tension of dealing with a race of brutal warriors combined with the fear of failing his new captain was almost too much.

This seems to be the crux of this scene's conflict, but it doesn't really seem to form much of a focus. You go through individual actions of a number of people - defined by minor physical characteristics rather than impressions, which is missing a trick - but I felt that the scene skirted around that central conflict, rather than tried to address it.

This is underlined by the fact that J.D. is introspective about a whole range of minor actions. Whatever he's doing, no matter what it is, he's introspective about it. Introspection is like spice - only a little is needed to impart a strong flavour - but you keep adding it in, and for me it became over-powering.

He also spends a lot of time explaining things, and I never really got the feeling that your central conflict was either in focus or was immediate.

What I would suggest is that you copy/pasting this into a new document, and experiment with slashing out anything that might be an explanation or tell or description of anyone else. Be brutal, just to see what happens. Because, if you do that, I suspect you'll reveal the character experience around which your story is trying to progress - and then you can develop it.

Simply my personal opinion, though.
 
Just following up from what Brian has said about the opening, starting a story with a character being bored is a pet hate of mine. You're effectively making things even harder for yourself than they would be otherwise, by removing the action or the questions that a reader can latch on to.

I think the best place to start a story is either right in the middle of the action (but be careful not to confuse the reader) or the point where things change and the actual events of the story begin. A message comes through from the lower decks saying that there has been an explosion; a man walks into the room where three interviewers are waiting; the hero is ejected from cryogenic sleep because the computer says the ship is under attack, or something along those lines.
 
Thanks again all! This is the third revised version. The second revised version actually started out with action, so I will probably just go back to that. I guess I got carried away with wanting to add more description.

Thank you!!!
 
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