Princess Grace of Verceti - The bad girl gets a make-over

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Andrew Lambert

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Ok then.
Critiques from a few weeks ago taken on board. Hopefully less telling, more showing and now keeping the narrative moving...



Birjjikk strode into the subterranean arena, stopped in the centre and glared up at the Elders.


She was last to go. Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcases already removed by the Grunz.


My academy comrades have been busy.


Birjjikk’s concentration sharpened as the Elders began taking their seats and a hush came over the arena.


She checked her weapons. Her left hand flicked up to just over her right shoulder, and her three taloned fingers lightly brushed the handle of her sword which was holstered diagonally to her back - wedged between the fourth and fifth protruding vertebrae. She had three sets of triple release throwing knives and in her right hand, she carried a Swinging Enscicer.


Today was the biggest day of her young life. Today would decide her future within the Zerot Collective. A poor performance and she would become a lower caste worker-warrior - a Grunz - destined for a life of service in the collective, only slightly above the slave caste.


She took a deep breath. She was ready.


With a clanking sound, that echoed around the underground cavern, all of the inner gates to the holding pens opened. Through the shadows, she could just make out a mixture of aliens and animals shapes. One outer gate opened to her left and into the light appeared a white beast - a Shantra Bear.


It moved back into the shadow cast by the perimeter wall and paced slowly around the perimeter of the arena; its jet black eyes fixed on Birjjikk. On all fours, it was the same height as her. A thick glistening coat more used to a cold climate forcing it to conserve energy here in the oppressive heat generated by the planet's core. The beast stopped at an object, previously unseen by Birjjikk, and with its massive paw flicked it from out of the shadows into the light of the arena.


It was the mutilated body of one of her Academy. Left there as a vivid reminder of the danger they faced in this place. The chest plate insignia identical to the one she was wearing, was now plain to see - a blight on her Academy’s performance today. Even decapitated she knew from his large frame it was Garkkikk. She looked across at what was left of him and sneered.


‘Turdgutter! Not even worthy of becoming a Grunz’.


Had the bear done this? Was it showing her the likelihood of her fate? Its mouth appeared big enough. Glistening blood was still evident on the fur around its mouth and long white fangs.


As Birjjikk pondered the best way to kill the bear a second gate opened to her right. Three, no four small feline animals entered the arena - Tagras! The lead animals burning red eyes locked on to her, yellow fangs bared. It began stalking her with the other following its lead, blue and orange striped fur looking magnificent and menacing against the dull granite walls. Birjjikk stepped back a few paces, exposing the line of sight of the bear to the Tagras. They paused momentarily, assessing the greater threat.


The pause was all Birjjikk needed.


She crouched, coiled her torso and then will the full force of her body released her Enscicer. A microscopic cable extending after it from the tiny retractable storage unit attached to her belt. It flew towards the lead Tagra, two double-sided curved blades flashing in the dull light. The blades alone were lethal, but there was a subtle and deadly skill to using this weapon - one at which Birjjikk excelled. As it reached the leading Tagra, she flicked the cable with her wrist and the curved blades flashed together, severing off it's leading lower leg.


Perfect, that will impress.


The Tagra crashed to the ground howling. She retracted the Enscicer, seamlessly catching it in her left hand and holstering it.


The remaining Tagras were stunned momentarily a the fall of their leader, but soon overcame their confusion and charged at Birjjikk. With her right hand, she reached for the knife set mounted on her left torso and in one smooth movement released them at the three advancing animals. The first blade tore into the throat of the left Tagra. The second, released a micro-moment later, sliced into the middle feline's chest. They both crumpled to the floor as the remaining Tagra continued moving forward; the third blade only grazing the fur on its right thigh. Birjjikk cursed at her sloppy technique and reached for her sword. The magnetic fastener released it almost immediately, allowing her to start the arc of her strike instantly. She needed both hands on the hilt to get the power she needed from her young body to set the sword sweeping down. Birjjikk fell to one side, as the Tagra leapt, giving her the room to initiate a fatal strike. The blade cut deep, almost severing its head and shoulder off.


Birjjikk spun to the ground, crouching low, looking for the bear. It was about to make a blindside move on her, but seeing her turn, it hesitated. Clever it’s thinking. This beast had been too smart for Garkkikk: see could see that now. As they stalked each other, she tried probing it's mind; speculative, as animals typically didn't respond, but, to her was surprised, it did. The bear stopped pacing and was facing her, eyes wide open as if waiting for something. Instructions? She attempted a simple one, concentrating hard on tone perception; ‘get down’, her head and eyes lower to the floor to expand the instruction. It started to crouch but stopped, unsure. She tried again more forcefully ’Get Down!’ This time, it did, and its eyes remained intensely trained on her. She gave it two more simple commands: to approach her and then ‘down’ again. It performed them both well.


She turned her back on the bear. Straightened her hard leather head guard hooked over the small horns above her forehead, subconsciously fingered the set of throwing knives to the right side of her neck and waited for the challenge to continue.


The final three gates opened together.


Giant celestial monoliths interspersed between the holding pens silently looked down on Birjjikk, as they had many others over the last one thousand years. She wondered about the carnage they had witnessed in this place and whether her illustrious ancestors would deem her worthy of being here.


Behind her to the left were three soldiers. Directly in front of her a large heavily armoured warrior. And behind her to the right what appeared to be a family - a male, a female and a juvenile - unremarkable except for the shock of purple hair they possessed, vividly contrasting their snowy white skin colour. The man was the only one armed and then only with a short sword.


Are the Elders testing me?


The rest of her colleagues would certainly struggle with this task. They wouldn’t have had the skills to survive; Garkkikk certainly didn't.


Birjjikk assumed the Elders were punishing her; her arrogance displayed during previous tests not lost on them. Or are they testing me? Either way, she decided, she was up to this challenge - no, she was going to enjoy this challenge.


The only sound in the arena was the whimpering of the Tagra with the missing foot - desperately licking at the wound just below the severed humerus.


The three soldiers and the warrior stepped forward. Any reasonable confidence born of having to battle a young girl now tempered by her display in the arena so far and the bear now appearing to be under her control. Two large Grunz herded the family with the purple hair through the outer gate then slammed shut behind them.


Birjjikk wasn’t going to give them time to formulate strategies or alliances; she would be the aggressor. She needed a strong performance to get into the next phase of training. Warrior caste would then be guaranteed, and her training would continue. The darker arts of killing and mental training would be on the syllabus - she desperately wanted this. And later maybe, she would complete her training and become a Searcher, like her natural parents. Or better yet, become a Player. Then and only then, would she enjoy the reals benefits of being a high caste Zerot: a longer life filled with estivation - prolonged dormancy - ensuring more time to plot and play the killing game.


The warrior was the closest to her. Large build, well armed and with a heavily armoured suit over black chainmail undergarments. Slow, but probably the most dangerous of this off world mix of creatures. Trophies brought back for the entertainment of the Zerot and to train their young. All that remained of long forgotten worlds raped and destroyed over the previous 2000 years. He would be neutralised first, out in the open where she would be able to access the only weak point she could see in his armour.
 
Birjjikk strode into the subterranean arena, stopped in the centre and glared up at the Elders.

She was last to go. Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcases already removed by the Grunz.

My academy comrades have been busy.

^ This all starts really well and it's really effective. Top stuff. :)

Birjjikk’s concentration sharpened < concentrating on what? Might be better if you add the opening sentence from the next paragraph, ie: She checked her weapons as the Elders began taking their seats and a hush came over the arena.


She checked her weapons. Her left hand flicked up to just over her right shoulder, and her three taloned fingers lightly brushed the handle of her sword which was holstered diagonally to her back - wedged between the fourth and fifth protruding vertebrae < damn - you've dropped into trying to explain everything for the reader. Saying a sword is at her back is one thing - naming the actual vertebra it rests between is utterly, utterly overkill. She had three sets of triple release throwing knives and in her right hand, she carried a Swinging Enscicer. Same here - the sentence needs some kind of emotion to give this statement weight, otherwise it looks like you're copy/pasting from your notes rather than telling a story


Today was the biggest day of her young life. < Not needed - telling - and the next statement pretty much tells it for us, but in a way that at least has context Today would decide her future within the Zerot Collective. A poor performance and she would become a lower caste worker-warrior - a Grunz - destined for a life of service in the collective, only slightly above the slave caste <infodumping again - you don't need anything after "Zerot Collective" - we get it's a big deal, we don't need an explanation of the society strcuture - remember, she's in the arena so all this explanation takes us further and further away from that moment.


She took a deep breath. She was ready. < good


With a clanking sound, that echoed around the underground cavern, all of the inner gates to the holding pens opened. Through the shadows, she could just make out a mixture of aliens and animals shapes < I stopped to think here - aren't the aliens animals? Or are you trying to imply that the aliens are sentient being? You may be over-complicating this description. One outer gate opened to her left and into the light appeared a white beast - a Shantra Bear.


It moved back into the shadow cast by the perimeter wall and paced slowly around the perimeter - repetition of the arena; its jet black eyes fixed on Birjjikk. On all fours, it was the same height as her. A thick glistening coat more used to a cold climate forcing it to conserve energy here in the oppressive heat generated by the planet's core < this sentence is from a text book, not a story. The beast stopped at an object, previously unseen by Birjjikk, and with its massive paw flicked it from out of the shadows into the light of the arena.


It was the mutilated body of one of her Academy. Left there as a vivid reminder of the danger they faced in this place. The chest plate insignia identical to the one she was wearing, was now plain to see - a blight on her Academy’s performance today. Even decapitated she knew from his large frame it was Garkkikk. She looked across at what was left of him and sneered.


‘Turdgutter! Not even worthy of becoming a Grunz’.

^ In the above, the Shanka beast appears - it looks as though it's going to be a threat. But after 175 words it's still not done anything but amble about, and rather than feel tense, steeled ready, Birjjikk simply dismisses her class-mates. You're killing any sense of threat.


Had the bear done this? Was it showing her the likelihood of her fate? Its mouth appeared big enough. Glistening blood was still evident on the fur around its mouth and long white fangs.

But it's not doing anything!


As Birjjikk pondered the best way to kill the bear a second gate opened to her right. Three, no four small feline animals entered the arena - Tagras! The lead animals burning red eyes locked on to her, yellow fangs bared. It began stalking her with the other following its lead, blue and orange striped fur looking magnificent and menacing against the dull granite walls. Birjjikk stepped back a few paces, exposing the line of sight of the bear to the Tagras. They paused momentarily, assessing the greater threat.


The pause was all Birjjikk needed.


She crouched, coiled her torso and then will the full force of her body released her Enscicer. A microscopic cable extending after it from the tiny retractable storage unit attached to her belt. It flew towards the lead Tagra, two double-sided curved blades flashing in the dull light. The blades alone were lethal, but there was a subtle and deadly skill to using this weapon - one at which Birjjikk excelled. As it reached the leading Tagra, she flicked the cable with her wrist and the curved blades flashed together, severing off it's leading lower leg.

^ Not sure if this is over-described.

Anyway, I stopped there are it went into the detail of a blow-by-blow combat scene and I always skip those in books.

There are some things you are doing right - heck, very well. But you must resist the urge to explain things - give the reader only what they need in that moment. Also remember that once you've created tension, keep with it. Bring the character into the fore a little more - you did it well at the start, but then she becomes something of a background detail due to the bear and other animals making their long entrance into this scene.

Some good stuff here, but try to cut back a little more and think about the importance of immediacy.

Simply my personal opinion.
 
Anyway, I stopped there are it went into the detail of a blow-by-blow combat scene and I always skip those in books.

There are some things you are doing right - heck, very well. But you must resist the urge to explain things - give the reader only what they need in that moment. Also remember that once you've created tension, keep with it. Bring the character into the fore a little more - you did it well at the start, but then she becomes something of a background detail due to the bear and other animals making their long entrance into this scene.

Some good stuff here, but try to cut back a little more and think about the importance of immediacy.

Simply my personal opinion.
 
Your view is much appreicated Brian.
The problem with reading books on writing is that they often refer to proper authors who can already write. Having your own work critiqued is so different and enlightening. I will absorb your comments and try to keep learning.
I know I keep lapsing into explaining things, I find it so hard not to. But I'm hoping its symptomatic of being a novice.
Thanks for your time.
Andy
 
Your view is much appreicated Brian.
The problem with reading books on writing is that they often refer to proper authors who can already write. Having your own work critiqued is so different and enlightening. I will absorb your comments and try to keep learning.
I know I keep lapsing into explaining things, I find it so hard not to. But I'm hoping its symptomatic of being a novice.
Thanks for your time.
Andy

Here's a thing to try. Act this out. Be your character, get a dictophone and record it for yourself. In first person, present and in real time.

I walked into the arena. My heart's beating fast.

Then see what you've actually captured at the end. I bet half your detail gets dropped ;)
 
Here's a thing to try. Act this out. Be your character, get a dictophone and record it for yourself. In first person, present and in real time.

I walked into the arena. My heart's beating fast.

Then see what you've actually captured at the end. I bet half your detail gets dropped ;)
 
Blood had already drenched the floor and walls, with chunks of bone and flesh still scattered around. Larger limbs and carcases already removed by the Grunz.

As the others have stated, the biggest issue is that you're not really inside the character's head. I think the quoted sentences give you an excellent opportunity to get inside her head. Show her avoiding the blood and gore and show her reactions to it. Is she sickened? Excited?

Just a thought ...
 
As the others have stated, the biggest issue is that you're not really inside the character's head. I think the quoted sentences give you an excellent opportunity to get inside her head. Show her avoiding the blood and gore and show her reactions to it. Is she sickened? Excited?

Just a thought ...
 
I think most has been covered, but one exercise you can try is to set a target for the number of words you use to convey your message. Below are a few examples of how condensed sentences can be used to impart information. Please do not think I am telling you how to write, your voice is yours, this is simply a suggestion.

The crowd roared as Birjjikk strode into the blood-soaked arena, each step bringing her closer to her fate. Upon reaching the centre she stopped, planted her feet firmly in the red dust and glared up at the Elders. On a whim they could cast her into a life of servitude. She had to win.
The crowd hushed, the gates swung open.
Birjjikk drew her sword.


I would certainly try to condense the fight scene, as others have said he need to feel what Birjjikk feels, we need empathy.
 
I agree there's too much description here, especially with the weaponry and where they're positioned on her body. Part of the appeal of novels is the reader using their imagination, so don't try to describe a scene like it's a film you've just watched. E.g. She has a sword strapped to her back. That is enough info for now, so we don't need to know which vertebrae it is wedged in, nor that her vertebrae protrude. I'm sure there will be a point later in the story for that detail to be revealed where it will flow naturally in accordance with the event taking place (if it needs to be revealed at all).
 
Check your spelling etc carefully - just a few typos I picked out:
a the fall of their leader,
Clever it’s thinking. - If you mean Clever, its thinking then there's a misplaced apostrophe, otherwise the sentence makes no sense. But it's clunky anyway. I think you mean 'Its thinking was clever' but maybe better to say something like 'A clever animal'
she tried probing it's mind should be its mind (possessive not an abbreviation for it is)
see could see that now - she could
Garkkikk certainly didn't. - hadn't, as this should be past tense

Also 'on her left torso' makes it sound as if she has 2 of them. I think you mean 'on the left of her torso' but as others have said the description is a bit too minute.
 
Check your spelling etc carefully - just a few typos I picked out:
a the fall of their leader,
Clever it’s thinking. - If you mean Clever, its thinking then there's a misplaced apostrophe, otherwise the sentence makes no sense. But it's clunky anyway. I think you mean 'Its thinking was clever' but maybe better to say something like 'A clever animal'
she tried probing it's mind should be its mind (possessive not an abbreviation for it is)
see could see that now - she could
Garkkikk certainly didn't. - hadn't, as this should be past tense

Also 'on her left torso' makes it sound as if she has 2 of them. I think you mean 'on the left of her torso' but as others have said the description is a bit too minute.
 
Thank you, Pam, for pointing out that which is the bane of my writing. Those horrible little tadpole things that follow no rhyme or reason - swimming all over my computer screen and always ending up in the wrong place! :-(
 
I recently picked up The Penguin Guide to Punctuation cheap in a charity shop, a slim easy to follow volume which helps with things like colons, semicolons and commas. Also got their Plain english guide which covers a lot of easily mixed up words and meanings etc. including the whole it's and its, who and who's etc.
 
I used to have tadpole problems in my early days. Now, though it is not quite 100% infallible, I check to see if it can be expanded to 'it is' etc : "It's back" can become "It is back" but "It fell on its back" can't. Its is one word, it's is a shortening of two.
 
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