What was the last movie you saw?

Spiderman - No Way Home
I enjoyed this more than the others in the series, although Tom Holland is my favourite spiderman. Still, I find myself caught in a love/hate relationship to the Marvel universe, as the films are so often formulaic and insanely long, yet they demand you've seen them all, and the pedant in me has to try, whilst wondering why I'm giving it so much time. But the self who loved the comics is trying to recapture something...
All that aside I did really like what they did with this one, tying in the multiverse and explaining the multiple reboots. Clever.
 
HOT MILLIONS (1968) Marcus Pendleton (Peter Ustinov) has just been released from prison, in which he had been a embezzler. 1st thing to do, is learn about computers, of which the warden advises him they will make embezzlement impossible. He learns about lucrative corporations, and steals the identity of Caesar Smith (Robert Morley), whom he advises to follow his dream, and go chase butterflies in South America.

So, having learned enough about computers to embezzle, he presents himself as Caesar Smith to a company run by Carlton J. Klemper (Karl Malden), and is hired. He is about to put his plan into action, when he learns about the little blue light that will indicate tampering. How to get past this barrier?

So, anyway, this is a really fun comedy.

Bob Newhart is in a supporting role; why does he remind me of a corpse?

:giggle:
 
"Wipeout, a surfer who attacks him with karate (and who is played by one of "Mudd's Women" from Star Trek; the dark-haired one, to be specific);"


*I recall her in that episode. I thought she seemed familiar. There is a scene where the Hulk? guy collapses on a bed and she then collapses on top of him and her face ends up squarely in his behind. I wondered if that was choreographed or happened by accident.
 
Strippers Vs Werewolves - I only managed to get 30 minutes into this before I gave up so this is one of my Public Service Broadcast posts.

If you ever get a chance to see this - don't even bother considering it for a second.

It. Is. Terrible. It's not 'bad'. It's not 'so bad it's funny'. It's not got a "Wow! We know it's dreadful but we're going to have fun making fun of how bad it is and let you in on the joke!" shtick going on. It has none of that or any other of the other possible ways some bad films have of endearing themselves to a receptive audience. It's. Just. sh*t.

In an attempt to disguise just HOW sh*t it is, a lot of the time the 'film' (I suppose I have to call it that) uses split screen. I like split screen. You can do great things with split screen (Phantom of the Paradise and The Thomas Crown Affair being good examples) all it managed to achieve here was let the audience watch badly directed actors deliver banal underwritten, uninteresting dialogue in two locations at the same time. (Sometimes I suspect it was only there to hide the fact that the footage within a scene wouldn't cut together in a comprehensible manner). Short pointless 'scenes' follow one after another linked with stripper silhouette-shaped, and clawed flesh shaped wipes, and what looked like Powerpoint presentations made up from stills run through Photoshop's Graphic Pen filter and coloured in with crayons.

Everything looked cheap, tatty and pointless.

According to the trivia section of its entry on the IMDb it 'took in only thirty-eight pounds at the UK box-office when released' - so the backers probably got their money back.
JunkMonkey , I think I may have found that on a streaming service . Made in 2012 , directed by Jonothan Glendening and ' starring ' Martin Compston . Please confirm if this is indeed the same ' film ' !
 
That's the one:

Did you actually read my review?
Ha Ha I did . And at my forthcoming film club meet up I will put this film forward for consideration. We're currently trying to out do each other seeing who can come up with the crappiest film . The Velocipastor was the club's last one and that was truly awful however I'll hopefully be able to trump it with Strippers v Werewolves !
 
The Visitor AKA Stridulum (1979)

Take random bits and pieces of Star Wars, The Exorcist, The Birds, Carrie, Close Encounters of the Third Kind, and The Omen. Add a little religious allegory and a soupçon of LSD. Toss in a blender and hit liquify. Voilà! You've just created The Visitor; or, if you prefer, the original title, which seems to be Latin for "hissing." (Suspiria was already taken, but Tenebrae was still available at the time.)

On a Dune-like desert planet with a huge orange sun, John Huston in a robe faces a figure who is completely hidden in a similar robe. Huge roiling clouds appear, and fake snow falls everywhere. The hidden figure is revealed to be a little girl with a monster face.

Cut to a guy with long blonde hair and facial hair, who is wearing a white robe. The credits on IMDB just out-and-out call this character Jesus Christ, if you didn't make the connection. He's talking to a bunch of bald children in a white room. He supplies the viewer with our back story. It seems that an evil mutant with a name that sure sounds a lot like Satan was defeated by John Huston, whose character has a name that sure sounds like Yahweh. There's also some stuff about how sounds-like-Yahweh used birds against sounds-like-Satan, but the bad guy turned some of the birds to the dark side. Enter Huston himself, who announces that the latest spawn or incarnation of sounds-like-Satan is on Earth, in the form of (you guessed it) a little girl.

Cut to a basketball game in Atlanta, Georgia. Evil little girl demonstrates her powers by making a basketball hoop explode. Long story short, owner of the basketball team is being used by a cabal of business executive types to romance and eventually impregnate the girl's mother, so another evil child will be born.

The movie has barely started, so let me just hit some of the highlights. A beautiful toy bird somehow transforms into a handgun when the girl receives it as a birthday present. She throws it at her mother, which somehow causes it to go off. Mom is confined to a wheelchair. Later, the girl will torment her mother in other ways. Besides suffering all this, Mom still resists the advances of the basketball guy, so the cabal somehow impregnates her while she's unconscious. She gets an abortion from an understanding doctor.

Meanwhile, Huston shows up with his gang of bald guys in track suits who do yoga movements behind white screens on the top of a building. He also engages in casual chat with the girl while they play Pong, both of them knowing who the other is. Girl does random evil stuff. The scene where she grabs two guys by her hands while ice skating and spins around so fast that they go flying and crashing into windows is worth the price of admission.

After not doing too much to stop all this, Huston finally calls down a bunch of glowing lights that spin around for a while, then turn into a roiling gray cloud, then turn into an army of birds. They're real birds, except for one mechanical one that kills basketball guy by producing a steel rod from its head and stabbing him with it. The real birds also apparently kill the girl, who is now in full monster face form, but we cut back to the white room from the beginning, and she's there (and bald.) Huston explains that they don't kill children, but just remove the evil (and apparently shave their heads and transport them to this place.)

Believe me, I've barely scratched the surface of the weirdness of this thing. There are a lot of familiar actors besides Huston. Glenn Ford as the detective investigating the toy-bird-changed-into-handgun case. Shelley Winters as a housekeeper who sings "Shor'tnin' Bread" and knows the girl is evil, so slaps her around. The film is often visually impressive, despite how goofy it gets. The music is often bombastic, and the theme sounds like a disco version of "Also Sprach Zarathustra."

Truly a unique experience.


The Visitor - And I have to thank Victoria wholeheartedly for pointing me in the direction of this one - one of the more gloriously bonkers bits of film making I have seen for a long time. More WTF?!s per minute than I though possible. It's not all crud though. This thing obviously had a budget and, as Victoria says, there are some moments (usually single shots) that are superbly done. I have a sneaking suspicion that there times when the director was busy doing other stuff and the DP had time to set up a beauty shot or two for his showreel.
Thank you, Victoria.
 
Oh yeah I need to see the Visitor.

I watched MY DEAR KILLER, a really good 1972 giallo. A very gruesome couple of kill scenes in this. Great atmosphere and suspense for something that is pretty familiar territory--but they took it in interesting directions. A nice change that the investigating cop (George Hilton) is pretty smart. They also subvert a very familiar trope of the cop telling his partners to urgently call the would-be victim--as he rushes out the room, they say to each other--do you know her number? Quick! Find it!
 
Dungeons and Dragons (2023 film)
I'd be interested to hear what other people thought of this, but wouldn't want to spoiler it for anyone (not that it's unpredictable). That said, although it's a bit cheesy, I really enjoyed it, especially compared to the earlier film instalments (I have horrible memories of the Jeremy Irons one). It managed to walk a line with a great homage to the world and computer games, whilst managing quite a few laugh out loud moments, good slapstick comedy, with a perhaps at times overwhelming series of impressive generated landscapes. It was also cool to recognise shots from Wells Cathedral! The narrative felt very formulaic, but in a professional and satisfying manner (I've been watching some of Brandon Sanderson's lectures and this ticks all the writing boxes).
 
The Visitor - And I have to thank Victoria wholeheartedly for pointing me in the direction of this one - one of the more gloriously bonkers bits of film making I have seen for a long time. More WTF?!s per minute than I though possible. It's not all crud though. This thing obviously had a budget and, as Victoria says, there are some moments (usually single shots) that are superbly done. I have a sneaking suspicion that there times when the director was busy doing other stuff and the DP had time to set up a beauty shot or two for his showreel.
Thank you, Victoria.


My pleasure. I forgot to add Rosemary's Baby to the recipe.
 
I watched MY DEAR KILLER, a really good 1972 giallo. A very gruesome couple of kill scenes in this. Great atmosphere and suspense for something that is pretty familiar territory--but they took it in interesting directions. A nice change that the investigating cop (George Hilton) is pretty smart. They also subvert a very familiar trope of the cop telling his partners to urgently call the would-be victim--as he rushes out the room, they say to each other--do you know her number? Quick! Find it!
Watched this just a week or two ago. Not the best giallo I've seen, but quite good all the same. A nice variation on one of the formulas. Like you, I liked Hilton as the detective.
 
My pleasure. I forgot to add Rosemary's Baby to the recipe.

Identifying the "where did they nick that from?" was fun - the etherial choir straight from 2001 under the (endless) Close Encounters of the Third Kind dancing lightballs sequence near the end was one of my favourites.

As was my daughter's cry of, "Chekov's Fishtank!" when the bubbly fishtank thing suddenly appeared on screen - about two minutes before our hapless heroine was pushed through it in her wheelchair. "Told you!"
 
Strippers Vs Werewolves - I only managed to get 30 minutes into this before I gave up so this is one of my Public Service Broadcast posts.
I heard of it and just took a quick glance at the cast.
I was shocked to see Sarah Douglas on the list--this can't be the same one from Superman???
But then I see Steven Berkoff and Lysette Anthony on there too.

It's so sad that no one tries anymore.
If they thought to themselves--we are going to do strippers and werewolves
but let's base on A Midsummer's Night's Dream or The Tempest or Seven Against Thebes.

The makers of Switchblade Sisters said they used Othello as their inspiration.
At least they tried to do something artistically intelligent.

This is what I think about with giallos--MY DEAR KILLER is formula--but it is really good formula.
They took an effort to do something unique with ideas that are well-worn.

Stripping and lycanthropy is a territory not well-explored so they should have more options for originality--if they really wanted it.

Berkoff was in another films not that long ago about vampires running a prison.
Not a bad idea--but it sounded like the result - based on the reviews--was not so admirable.
 
The Baader Meinhof Complex (2008)
Dramatised account of the exploits of the Red Army Faction (a.k.a. the Baader Meinhof gang). It’s fairly fast paced and sometimes uses news footage of the time, giving it an almost documentary feel. In German with English subtitles, I think it’s worth giving it a watch.
 
Sisu (2022): By the end of WW2, a Finnish gold miner just wants peace and quiet with his newfound gold, but a Nazi squad might have a say about that.

Sisu is a Finnish word that you can’t just translate into a single word. It means a strength that comes from within, an extreme grit that comes out when one is in a terrible situation. And that’s precisely what this movie is all about. It’s as if the John Wick franchise took place in WW2. No, IT IS John Wick, but in another universe.

The main character just refuses to die, no matter what happens to him--getting shot, being set on fire, being hanged, you name it. The Nazis, on the other hand, die like flies, and it’s very fun to watch.

It’s very Tarantinesque. The over-the-top violence, the chapter structure, and even the word font evokes Tarantino. The straight-foward road movie structure, and the women prisoners also reminded me of Mad Max: Fury Road.

99% of the runtime is English-spoken, so you can see this is aimed at a global audience. But the characters have a (forced) accent, like in Red October, so beware if you have a problem with that. You also need a ton of suspension of disbelief.

It’s no masterpiece, nor it aims to be, but it’s always good to see some Nazis blowing up sky-high.
 
THE VISITOR 1979 -- I knew from the description that it would be worth checking out and it did not disappoint. This was some experience. The twisted combination of different films--including the Omen and Close Encounters. But when Glenn Ford gets surprised by the weird sound coming out of the pong game--I lost it completely. I had a fit of hysterical laughter that lasted a few minutes--all through his adventures with the falcon and the talking bird toy-it was like that Steve Allen - Tonight Show incident where he just lost it. Tears were flowing, I was laughing so much. This is a film you cannot tell people about in plot--you just have to experience it. I am glad I did. This is more than a movie--it is an epoch-defining event.
 
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Are You There God? It's Me, Margaret (2023): I've never read the source material for this movie, but I've heard a lot about it. It's a pretty intense comedy-drama that is more heartfelt and uplifting in its comedy than it is funny (for the most part).
 
HAMLET (1948) Seemeth that they used the exact lines that Shakespeare wrote; though about 2, count 'em, 2 hours had to be omitted. As it is, it still runs about 2.5 hours.

Hamlet (Laurence Olivier), Osric (Peter Cushing) & Ophelia (Jean Simmons) were the only names I recognized.

The dialog was much more difficult to understand (though far from impossible) than that of Julius Caesar, which I watched some months ago.
 

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