What was the last movie you saw?

Speaking of movies in which Bruce Lee loses a fight ... In his memoir, Garner mentions he wins a fight with Lee in the movie, and admits it could only happen in a movie.

Randy M.

Speaking of real fights, this is what impressed Bruce Lee to hire the director for Enter the Dragon.

"In this scene no stuntmen were used because of the small room. According to Rod Taylor (5' 7") Will Smith (6'2", 200 lbs, Austrian boxing record 31W-1L, body builder & two time world champion arm-wrestler) forgot the routine and belted Rod, causing blood to splat everywhere. Rod wiped his face and shouted "KEEP THE CAMERAS ROLLING!" and the rest of the fight was adlibbed. Rod ended up breaking three of Smith's ribs (Those pounding body shots at 0.48] and Smith broke Ron's nose. Smith (a veteran of numerous punch-ups) called it "the best fight scene I ever worked on." (Rod Taylor. An Aussie in Hollywood. Vagg, S. Bear Manor Media 2010 )

 
Um, slight difference between Will Smith and William Smith. The latter, by the way, was another one decked by James Garner, that time in The Rockford Files. Garner cheated, pouring liquid soap on the floor so when Smith went to deliver a karate kick, his other foot goes out from under him. Garner punches down on him while holding a roll of quarters and comments about how karate types always expect you to fight fair.

Randy M.
 
Greyhound 2020 - all-out WW2 action as the Greyhound escorts a convoy across the 'black pit' which is the part of the Atlantic that air support cannot reach.
 
Slaves in Bondage (1937)

Exploitation flick with a convoluted plot that depends on some wild coincidences. Starts off with a bang, as a young woman jumps out of the car of a couple of guys trying to kidnap her. The intent was to force her into prostitution. At the same boarding house is a guy who wants to be a reporter. He sells his account of the incident to a newspaper, but doesn't yet get a steady job. His girlfriend works as a manicurist, which happens to be run by a woman who works with the prostitution gang. The victim of the attempted kidnapping can describe one of the creeps in the car, so the other one has him killed before he can talk. The would-be reporter and his girlfriend happen to witness the murder. To get the guy out of the way, the bad guy arranges to plant some counterfeit money on him. The good guy gets arrested . His girlfriend, in an attempt to get him out of jail, winds up in the clutches of the villains. That's plenty of plot, but we've also got a couple of comic vaudeville routines, a contortionist, and a fan dancer. The mildly salacious content consists of the "slaves in bondage" in their underwear. Slightly more risque is the scene of two of the women spanking each other, and having fun doing it.

She Shoulda Said 'No!' AKA Wild Weed AKA The Devil's Weed (1949)

Late in the day for this kind of marijuana exploitation film, but there's a story behind that. Lead actress Lila Leeds got arrested in the same drug raid that famously picked up Robert Mitchum. The film makers make use of her notoriety by casting her as a dancer who supports her brother in college. She accepts a reefer, and soon gets wildly stoned, with theremin music on the soundtrack. This addiction causes her to lose her job, so she becomes a pusher. Brother kills himself when he finds out how she's supporting him. The cops arrest her, and take her on a tour of prison, the loony bin, and the morgue to scare her into changing her ways. (Somewhere along the way we've gone from marijuana to heroin.) Sixty days in prison -- the exact sentence the actress served in real life -- does the trick, and she goes undercover to help the cops bust the bad guy. Notable for having marijuana cigarettes smuggled in a tomato can.
 
The Gentlemen (2019)

I love seeing Guy Ritchie get back to his roots and do gangster comedies again, and this one is his best since Lock, Stock, & Two Smoking Barrels. Hilarious, clever, good pacing, and the performances all around excellent. (Especially Charlie Hunnam and Henry Golding; those two are the next gen in leading actors, and they both showed it here.)
 
Stuff That Was Considered Naughty Seventy Years Ago Double Feature:

Too Hot To Handle (1950)

Filmed burlesque show, alternating strippers with comics. Notable among the strip tease acts is a very pretty and petite Latina calling herself Novita, who is quite a good dancer. There's also a somewhat more mature woman who not only strips, but sings a bawdy song and performs with the comics. She is, by far, the most professional performer. One comic actually uses the old "Take my wife, please" line. The woman I mentioned does a mathematical routine with another comic, which must have been a standard bit, because I've see Abbott and Costello do the same thing. It involves "proving," in several ways, that three times seventeen equals twenty-eight. It's more clever than funny. Ending the hour-long film is the star attraction, calling herself Patti Waggin, who, a little research reveals, was quite an athlete and a motorcycle enthusiast. Among the corny and slightly dirty jokes is one I wasn't expecting from so long ago.

COMIC: I went to a Gay Nineties party last night.
STRAIGHT MAN: Gay Nineties party?
COMIC: All the men were gay and all the women were ninety.

I didn't realize that term was used commonly back then.

A Virgin in Hollywood (1953, although apparently most of it goes back a few years before that, and then certain sequences were added later)

Exploitation film that wanders all over the place, with quite a bit of intentional comedy. An innocent girl reporter goes to wicked Hollywood to write a story on what really goes on there. She gets lost while driving around, and somehow winds up at a place where models pose in skimpy bathing suits. Later she answers personal ads. This is the main source of comedy, as the first date does corny old vaudeville routines, the second one does a drunk act, and the third one, an older fellow, falls asleep during their date. The reporter also winds up among lingerie models, leading to a clothes-tearing cat fight with another model who accuses her of wearing her outfit. A segment meant to be viewed in 3-D (!) is edited into the rest of this thing at random, and consists of a man and woman doing a sort of Arabian Knights routine, and a woman doing a bubble-blowing routine. The ladies begin scantily clad, but don't strip. There's also a sequence where the heroine meets a female impersonator. The reporter's wide-eyed innocence adds a sense of charm to the whole thing. She tries to act "sophisticated" by smoking a cigarette, and can't tolerate it. A lot of the film is narrated by her, with some pretty amusing dialogue.
 
BODYGUARD (1948) NOIR ALLEY's 07/12 film. Michael Carter (Lawrence Tierney) is a plain clothes police officer, whose violent ways end his career. Knowing of his plight, a man hires him as a bodyguard for the elderly woman who owns a meat packing plant. But the elderly woman wants nothing to do with a bodyguard. While she is trying to send Carter away, two shots are fired through the window, one of which shatters a mirror reflecting the woman. Carter uses this to persuade the woman.

But things happen, and Carter ends up framed for killing one of his police pals. He must find the real killer, etc.

Good noir film!
 
The Black Hole

What it says on the tin. I guess this was a 70s throwback to 50s B movies? The robots feel out of place, maybe just the designs, but look like they belong to a different movie. At times hilariously bad, and others endearing.
 
Empire Records - 1995
I somehow missed this 90s teen flick until yesterday. The version I saw was the re-edited and extended DVD special release, so I never saw the much criticized original release. And it's a movie that has since amassed a better reputation than it received upon release (including a possible Broadway play?!)

It involves the misguided attempt to save Empire Records, an independent record store, from a takeover by a large chain. Lucas (Rory Cochrane) absconds with the nightly bank deposit and bets in on a craps table in Atlantic City. After 2 rolls the money's gone, and the rest of Empire Records involves his fate and the fate of the record store. But the movie is too busy with too many subplots - little of which lend support to the main plot.

Still I quite enjoyed watching it. And unknown to anyone when it was made, Empire Records represents the end of an era - the pre-internet, pre-MP3 years where the local record store was where one went for music. Empire Records has great music throughout including a lot of stuff that never made it onto the official soundtrack (like The The's "This is the Day.")
 
Earlier today I watched Knive's Out, which did not strike me as nearly as clever as it seemed to be trying to be. I felt it was a waste of a fine cast. However, I know that it's been well-received.

Then this evening I watched The Dresser with Alfred Finney and Tom Courtenay. Two great, scenery-chewing performances. Melodramatic but somehow magnificent.
 
Bright. I really enjoyed this, although it was very Alien Nation in tone and feel. Still, pretty good.

John Wick 3. Well made, but boring. You can only watch action for so long before becoming bored with it. I see it’s been left open for another sequel.
 
The Ten Commandments (Silent version) Being silent, I ran the commentary while watching it. It cut to the chase, whereas the 1956 version started with Moses' birth, this one opens just before the 10th plague on the Egyptians. Moreover. halfway through, the ancient part is over, and the (then) contemporary part starts. The commentary was really important for anyone not watching way back then, as the cultural differences would not be obvious to a 21st century viewer. So, anyway, the 1916 part showed the woes that fell upon the sinner son, who, unlike his elder brother, laughed at the Bible and its teachings, etc.

The commentator noted that viewers of the silent era would have expected such preachy content, as though they were sitting in Church instead of a movie theater. Interesting!


Three Strangers (1938) With the success of The Maltese Falcon, they wanted to make another film with the primary stars. Bogart was already involved in another film, so, Lorre got what would have been his role. Set in England, Jerome K. Arbutny (Greenstreet), Johnny West (Lorre), & Crystal Shackleford (Geraldine Fitzgerald) are brought together by fate, it seems. They each have desires differing from one another, but money is a common one. West had bought a lottery ticket, and sold interests in it to the others. Arbutney, wrote their deal directly on the ticket, and each signed it.

Each one's back story is told, and how each could benefit from the winning ticket. There is an Asian statuette of Kwan Yin that is said to grant wishes on the Chinese New Year, which that day is. Muller said that this particular statue was featured in over 400 films. Anyway, Shackleford is estranged from her husband, & wants him back. Arbutny is an investor, and had made investments in things not allowed by the contract with his client, West, had been involved in a theft that had turned into murder, and was hoping for extrication from that mess.

None of that matters, really, because Lorre & Greenstreet are more than enough reason for me to watch this again, and probably for no fewer than 5 times.

Ian Wolfe as one of the Courtroom officials, and because of his two episodes of STAR TREK, I always like to see him in films.

Oh, Johnny West is a MARX Bro.s action figure that was popular when I was a boy. Long before the GI Joes went to 3 1/2 inches and had names and backstories, this cowboy was accompanied by more than a few other action figures in the Western genre, soldiers, Indians, villains, even Jane West. Oh, my long, lost childhood!


The Warped Ones (1960) Muller does more than just NOIR COMMENTS, HE also introduced this film in a jazz themed thing. I was never much for jazz, except the type associated with 007. So, this is a Japanese film, about juvenile delinquents, on the verge of adulthood. They pickpockets, are arrested, and free again in just weeks. Steal cars, rape a young woman, etc. I had difficulty following the film, perhaps because I found it hard to tell one face from another. The only way was by behavior. They did not use names much.

There was one scene, or should I say, setting that made me think I may have seen this before.
 
Executive Decision (1996)

Kurt Russell, Steven Seagal, Halle Berry, David Suchet and Andreas Katsulas (G'Kar, Babylon 5 and Tamuluk, NextGen).

Enjoyable hokum, gung-ho U-S-A! U-S-A! sorta thing. Relatively believable, if you can get past the crazy idea of an F-117 docking with a 747 in midair and using some sort of, um, upward chute to transfer soldiers onto the hijacked plane.

I've seen worse.
 
Joker
Had been holding off watching it until it was on Foxtel. I thought it was brilliant; one of the best depictions of mental illness I've ever seen, as well as a great prequel / origin movie (although I am satisfied that JP's character is NOT the Joker of whichever Batman reboot you wish to consider, more an inspiration). Very clever, but amazed that it did over $ 1 billion at the box office. There was really nothing to it in terms of action, thrills or this big alternative uprising that the trailers suggested. Although I found it riveting myself, I was amazed there was enough for the casual public to turn up in such high numbers.
 
Three Billboards Outside Ebbing, Missouri (2017) by Martin McDonagh
I didn't know much about this film before I watched it, other than what I had heard or seen around the Oscars. So I only knew the rough set-up. I think that made it all the more of a surprise. I was expecting a weepie "Chick-Flick" [ and i love those too]. But it just wasn't. I can't really categorise it. It is just a well written, well acted and beautifully photographed film. I loved the way it started. No preamble, just story. Frances McDormand and Sam Rockwell are scarily believable. you can see, feel, why they got their Oscars. The other characters are spot on. And the ending... Wow.
In a lesser film I would have said it was the set-up for the sequel. but not here. It was just that one story ended, not the characters.
And btw BBC Films - This is the type of film you should be financing. If Channel 4 can do it, why can't you...
 
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A Walk in the Sun (1945)

Outstanding WWII movie, made while the war was still going on. A platoon of GI's lands on an Italian beachhead and makes its way inland six miles, eventually storming a farmhouse full of German soldiers. That's the whole plot, but what makes the film watching are the interactions among the Americans. (You barely see the enemy at all, just a few brief shots at the end of the back of their heads.) Between sudden scenes of violence, we get a lot of walking, a lot of talking about all kinds of things, and a lot of complaining. Clearly these guys hate being there and just want to get back home. Notable for having a sergeant suffer a mental breakdown from the stress of battle. There's a ballad about the stuff going on that sounds like a spiritual playing in some scenes; an unusual narrative technique which you may love or hate.
 

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