2012 reading goals

Hmmm.... Interesting thread.

I have three main goals:

1. Finally get around to reading the books that I bought ages ago and are currently gathering dust on my shelf. This includes The Dragonbone Chair and The War of the Flowers by Tad Williams, The Sum of All Men by David Farland, and books 2 and 3 of The Chronicles of Thomas Covenant by Stephen R. Donaldson.

2. My second goal is to read more stand-alone Fantasy. Most of my reading tends to be series, as I like revisiting characters and worlds that I enjoyed. But this does mean I am missing out on some good stand-alone novels by the likes of Guy Gavriel Kay, Neil Gaiman, etc. I intend to correct that in this year.

3. Finally, I want to read more novels outside of the Fantasy genre. My reading the last couple of years has been almost exclusively Fantasy, and I feel I should branch out. In particular, I want to venture into the world of Historical Fiction, as I've heard a lot about the genre. On that note, anyone who has some good recommendations in the genre is more than welcome to give me advice. Is Bernard Cornwell a good place to start?
 
Devil's Advocate - Try Conn Igguldenn, especially his Genghis Kahn series, very fast paced, great story, he is highly influenced by David Gemmell and Peter F Hamilton. Start with The Wolf of the Plains, he starts his major characters off as kids until they become who they are in the history books.
 
I have 21 books to read already and we're only in January! It's a mixture of history, mythology, fantasy and sci fi.
The Blade Itself: Book One Of The First Law, Before They Are Hanged: The First Law: Book Two, Last Argument Of Kings: The First Law Book Three by Abercrombie and The Dancers At The End of Time (S.F. Masterworks) by Moorcock. Are the ones that will bring my total to 21 when they arrive tomorrow.:D

Devil's Advocate. I quite enjoyed Sum of All Men. I'm on the third book Wizard Born now.
 
As an aspiring writer, with MUCH to learn, my objective is to read the best and learn from the best ... as well as to read stuff that's to my taste, and that I'll enjoy!

I like good characters, some heroism and romance, and a "realistic", well built world. I'm not keen on magic and superstition ...

On my "to read" pile, shelf, book case ...

* I'd like to have finished reading all Guy Gavriel Kay's stuff by the end of 2012.
* Paul Kearney
* Jack Vance
* Neal Stephenson
* Neil Gaiman
* Carlos Ruiz Zafon
* Robin Hobb
* Some of GRRM's lesser known works (e.g., The Armageddon Rag)

For self-indulgence I may also squeeze in some David Gemmell and Joe Abercrombie.

Coragem.
 
...Lolita???
I'm surprised this hasn't been mentioned yet. It's probably the most famous work by any of the Russian greats. (Not that I'm an expert: I staggered drunkedly through War and Peace, cried myself to sleep on Crime and Punishment and that's about it.)
I intend to fill some gaps in my fantasy library. Apparently I've been missing out on some staples. George RR Martin, Erikson, R Scott Bakker and as much Terry Pratchett as I can.

Not to belittle Nabokov but he is a modern great novelist among many. He is hardly legendary giant of lit like Gogol,Dostejevski, Tolstoy. He seems bigger to you because he is seen as american author. He is not close to be seen as the greatest russian. Gogol, Dostejesvky, Tolstoy are the top 3.

Those guys are like Shakespeare, Poe in internationally acclaim.
 
In addition to completing my goal of finishing all the Honor Harrington books carrying over from last year, I want to read several of the Russian classics. War and Peace (just started), Anna Karenina, Crime and Punishment, and maybe another if I can squeeze it in.
 
Hmmm, reading goals? My only goal is to read some. Last year was kind of stressful and busy and I didn't hardly read...at all! So far this year, while not off to a good start, I've managed to read the new JFK Stephen King, and I've got Teresa's book started (hope to find time to finish this week, it's a goodie).

I just want to escape into some fiction. Some time. This year.
 
As an aspiring writer, with MUCH to learn, my objective is to read the best and learn from the best ... as well as to read stuff that's to my taste, and that I'll enjoy!

I like good characters, some heroism and romance, and a "realistic", well built world. I'm not keen on magic and superstition ...

On my "to read" pile, shelf, book case ...

* I'd like to have finished reading all Guy Gavriel Kay's stuff by the end of 2012.
* Paul Kearney
* Jack Vance
* Neal Stephenson
* Neil Gaiman
* Carlos Ruiz Zafon
* Robin Hobb
* Some of GRRM's lesser known works (e.g., The Armageddon Rag)

For self-indulgence I may also squeeze in some David Gemmell and Joe Abercrombie.

Coragem.

You are going to enjoy that so much. Which really means that I would enjoy that so much.
 
Indeed Coragem, I'll also add that's an excellent list you have there!

Could I possibly suggest a few more names you may wish to investigate (assuming you have not already read them) in 2012/13?

Lud in the Mist - Hope Mirlees *a single stand alone novel
King of Elfland's Daughter - Lord Dunsany * " "
Little, Big - John Crowley * " "
If on a Winter's Night a Traveller - Italo Calvino * " "
Book of the New Sun - Gene Wolfe * " "available in 2 volume set
Riddle Master of Hed - Patricia McKillip *trilogy available in single volume
Street of Crocodiles - Bruno Schulz *single collection
Labyrinths -Jorge Luis Borges * " "
Flowers For Algernon - Daniel Keyes *a single stand alone novel
Worm Ouroboros - E.R. Eddison *a single stand alone novel
Books of Lankmahr -Fritz Leiber *2 volume set
Emperor of Dreams - Clark Ashton Smith *single Fantasy Masterwork collection
Something Wicked This Way Comes - Ray Bradbury *a single stand alone novel
Conan Chronicles - Robert E Howard *collection

A fairly reasonable cross-section of very good fiction (mainly SFF) and whilst not all necessarily to your taste I've no doubt you'll learn something more about the art of writing.

Cheers.
 
Could I possibly suggest a few more names you may wish to investigate (assuming you have not already read them) in 2012/13?

Lud in the Mist - Hope Mirlees *a single stand alone novel
King of Elfland's Daughter - Lord Dunsany * " "
Little, Big - John Crowley * " "
If on a Winter's Night a Traveller - Italo Calvino * " "
Book of the New Sun - Gene Wolfe * " "available in 2 volume set
Riddle Master of Hed - Patricia McKillip *trilogy available in single volume
Street of Crocodiles - Bruno Schulz *single collection
Labyrinths -Jorge Luis Borges * " "
Flowers For Algernon - Daniel Keyes *a single stand alone novel
Worm Ouroboros - E.R. Eddison *a single stand alone novel
Books of Lankhmar -Fritz Leiber *2 volume set
Emperor of Dreams - Clark Ashton Smith *single Fantasy Masterwork collection
Something Wicked This Way Comes - Ray Bradbury *a single stand alone novel
Conan Chronicles - Robert E Howard *collection

A fairly reasonable cross-section of very good fiction (mainly SFF) and whilst not all necessarily to your taste I've no doubt you'll learn something more about the art of writing.

Cheers.

Yeowww! What a list. I've read very few of them.

I have owned a copy of the Mirlees for many years but never read it -- apparently I should.
 
Dale: Yes, you should. It's a lovely novel, not quite like anything else I've ever come across, yet having echoes of many... and I don't think you will regret the time spent on it at all.....

My reading program? Difficult to explain without it sounding dull and repetitive (when it is, in reality, anything but); however....

To get about half of what is left of my reading of the materials mentioned in HPL's Supernatural Horror in Literature read (I am currently reading Oliver Wendell Holmes' Elsie Venner, for those who'd like to see just how much I have to go)

To get through at least the first few years' worth of writings by those who comprised the original "Lovecraft Circle" and other writers who were connected with them

To catch up on some of the volumes by or about HPL which have been released lately that I've not yet had a chance to read

And to catch up on some of the latest Lovecraft-related fiction (novels, collections, anthologies), to get a wider understanding of this burgeoning (and increasingly unclassifiable) sub-genre

There are other things I want to get on with, as well, but I have my doubts I can actually accomplish what I've outlined above... but I certainly want to increase my progress in these areas....
 
Gollum, that's a fantastic list. Five and a half are in my collection (I don't have The Second Book of Lankhmar) and another five and a half have been on my to get list for a while, and I've heard good things about the rest. Great list; I already intended to read If on a winter's night, Something Wicked, Worm Ouroboros and Conan this year but thanks for the reminder.
 
Gollum, that's a fantastic list. Five and a half are in my collection (I don't have The Second Book of Lankhmar) and another five and a half have been on my to get list for a while, and I've heard good things about the rest. Great list; I already intended to read If on a winter's night, Something Wicked, Worm Ouroboros and Conan this year but thanks for the reminder.
No problem. That was basically just a snapshot 'off the top of the head' but I confess I knew it to contain some of the best works of predominantly Fantasy that I've come across. I've no doubt if Coragem were to read those that it would prove a valuable insight into the art of the written word.

@Extollager: JD is right. Lud-in-the-Mist is well worth your while. One of the greatest works of Fantasy written in the last 100 years.
 
@Extollager: JD is right. Lud-in-the-Mist is well worth your while. One of the greatest works of Fantasy written in the last 100 years.
I've just read it a few days ago and it was very good. Not sure I'd rate it quite as highly as GOLLUM but still recommended.
 
So my reading plan for 2012 now includes:

Mirlees, Lud-in-the-Mist -- at least give it a good start

Tolkien-related:

At least 200 pages from the 12-volume History of Middle-earth (I have begun this and with what a pay-off! -- the wonderful Athrabeth Finrod ah Andreth, which I'd never read, but how sad if I had missed it -- This is in Volume 10, Morgoth's Ring)

Significant reading in The History of The Hobbit, by John Rateliff

Scull and Hammond's The Art of The Hobbit

Flieger's Interrupted Music -- I'm past p. 100 already; interesting tracing of, and speculation about, the development of Tolkien's presentation of his mythic worlds

Fisher (ed.) Tolkien and the Study of His Literary Influences -- includes generous essays on Haggard and Buchan, two of my favorite storytellers


Schwartz, C.S. Lewis on the Final Frontier -- A study of the wonderful space trilogy

Delvings into German Romanticisms -- Goethe, Novalis, Tieck, E. T. A. Hoffmann

McGilchrist, The Master and His Emissary

Englund, The Beauty and the Sorrow

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Lots of other things are likely, too, but these are some that I think may take a little more effort than others such as reading that Soviet-era police procedural The Holy Thief, which has been recommended to me by a colleague who writes reviews of mystery novels for Publishers' Weekly. I expect to read more by Ian Frazier and Phil Dick.
 
A review of McGilchrist's book. The book may challenge folks (hello, JD!) who regard Lovecraft's way of perceiving reality and the human cognition thereof as adequate.


The Master and His Emissary: The Divided Brain and the Making of the Western World by Iain McGilchrist reviewed by Mary Midgley
http://www.guardian.co.uk/books/2010/jan/02/1

This is a very remarkable book. It is not (as some reviewers seem to think) just one more glorification of feeling at the expense of thought. Rather, it points out the complexity, the divided nature of thought itself and asks about its connection with the structure of the brain.
McGilchrist, who is both an experienced psychiatrist and a shrewd philo–sopher, looks at the relation between our two brain-hemispheres in a new light, not just as an interesting neurological problem but as a crucial shaping factor in our culture. He questions the accepted doctrine that the left hemisphere (Left henceforward) is necessarily dominant, the practical partner, while the right more or less sits around writing poetry. He points out that this "left-hemisphere chauvinism" cannot be correct because it is always Right's business to envisage what is going on as a whole, while Left provides precision on particular issues. Moreover, it is Right that is responsible for surveying the whole scene and channelling incoming data, so it is more directly in touch with the world. This means that Right usually knows what Left is doing, but Left may know nothing about concerns outside its own enclave and may even refuse to admit their existence.
Thus patients with right-brain strokes – but not with left-brain ones – tend to deny flatly that there is anything wrong with them. And even over language, which is Left's speciality, Right is not helpless. It usually has quite adequate understanding of what is said, but Left (on its own) misses many crucial aspects of linguistic meaning. It cannot, for instance, grasp metaphors, jokes or unspoken implications, all of which are Right's business. In fact, in today's parlance, Left is decidedly autistic. And, since Left's characteristics are increasingly encouraged in our culture, this (he suggests) is something that really calls for our attention.
The book's title comes from the legend of a wise ruler whose domains grew so large that he had to train emissaries to visit them instead of going himself. One of these, however, grew so cocky that he thought he was wiser than his master, and eventually deposed him. And this, says McGilchrist, is what the Left hemisphere tends to do. In fact, the balance between these two halves is, like so many things in evolution, a somewhat rough, practical arrangement, quite capable of going wrong. The bifurcation seems to have become necessary in the first place because these two main functions – comprehensiveness and precision – are both necessary, but are too distinct to be combined. The normal sequence, then, is that the comprehensive partner first sees the whole prospect – picks out something that needs investigating – and hands it over to the specialist, who processes it. Thus the thrush's Left is called in to deal with the snail-shell; the banker's Left calculates the percentage. But, once those pieces of work are done, it is necessary for the wider vision to take over again and decide what to do next.
Much of the time this is indeed what happens and it is what has enabled brains of this kind to work so well, both for us and for other animals. But sometimes there is difficulty about the second transaction. Since it is the nature of precision not to look outward – not to bother about what is around it – the specialist partner does not always know when it ought to hand its project back to headquarters for further processing. Being something of a success-junkie, it often prefers to hang on to it itself. And since we do have some control over this shift between detailed and general thinking, that tendency can be helped or hindered by the ethic that prevails in the culture around it.
McGilchrist's suggestion is that the encouragement of precise, categorical thinking at the expense of background vision and experience – an encouragement which, from Plato's time on, has flourished to such impressive effect in European thought – has now reached a point where it is seriously distorting both our lives and our thought. Our whole idea of what counts as scientific or professional has shifted towards literal precision – towards elevating quantity over quality and theory over experience – in a way that would have astonished even the 17th-century founders of modern science, though they were already far advanced on that path. (Thus, as a shocked nurse lately told me, it is proposed that all nurses must have university degrees. Who, she asked, will actually do the nursing?) And the ideal of objectivity has developed in a way that would have surprised those sages still more.
This notion, which now involves seeing everything natural as an object, inert, senseless and detached from us, arose as part of the dualist vision of a split between body and soul. It was designed to glorify God by removing all competing spiritual forces from the realm of nature. It therefore showed matter itself as dead, a mere set of billiard-ball particles bouncing mechanically off each other, always best represented by the imagery of machines. For that age, life and all the ideals relevant to humanity lay elsewhere, in our real home – in the zone of spirit. (That, of course, was why Newton, to the disgust of later scholars, was far more interested in theology than he was in physics.) But the survival of this approach today, when physicists have told us that matter does not actually consist of billiard balls, when we all supposedly believe that we are parts of the natural biosphere, not colonists from spiritual realms – when indeed many of us deny that such realms even exist – seems rather surprising.
Why do we still think like this? Why can't we be more realistic? McGilchrist's explanation of such oddities in terms of our divided nature is clear, penetrating, lively, thorough and fascinating. Though neurologists may well not welcome it because it asks them new questions, the rest of us will surely find it splendidly thought-provoking. And I do have to say that, fat though it is, I couldn't put it down.
 
Please allow me to summarise: Basically read anything in any way shape or form connected with H. P. Lovecraft. ;):p

LOL.:D Not quite, though... after all, I have a copy of Lovecraft's Library: A Catalogue, which would add rather a lot to that list....:rolleyes:

Seriously, though, there is a great deal of truth to that; largely because I'm doing a lot of research and writing connected to HPL. But this also catches me up on a lot of influential things in the weird/horror field I've not yet read, as well as giving me a better understanding of the historical development of said field; so though HPL is sort of the hub around which it all revolves, it's a multi-pronged approach to a lot of different things as well... if that makes any sense.....:eek:
 

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