Re: June's here! What are you reading?
Yea I know JD i was being very tongue in cheek there. But basically altho I could split fantasy into its various groups I could split SF a lot further. Now where would The Forever War,that I just started reading,fit? Military SF perhaps?
To some degree; but I think it fits more into other categories better. And I doubt you could divide either into many more than the other, as there is a great deal of variety in types (or modes) of tale within each... many more than can be easily classified.
Perhaps. Personally, I don't much care about subgenres, no more than I do with respect to music... as far as I'm concerned all that matters to me is enjoyment. Variety and originality are overrated imho and pigeonholing things into subgenres seems an irrelevant exercise to me.
I wouldn't say it's irrelevant, necessarily, as it can be very helpful in certain ways; but that too much stress is placed on it, I would agree. This tends toward an ever-more-narrowing view of what each branch of literature has to offer and, eventually, ghettoization and creative stultification (such as we have seen with fantasy over the past few decades... something which seems to be breaking up once again, thank goodness....)
I think generally that I find fantasy to be a bit more personal and character driven. Characters finding their potential or place within a difficult, adversarial world. I find science fiction to be more about politics and concepts of society... xenophobia and whatnot. Thus why I liked Ender's Game, but didn't care for Dune. Ender struggled to be the best and battle aliens and authority. He grew as a person slowly and with problems. In Dune, Paul just becomes a grown up super computer on one random page and spends the rest of the book meditating on theories of time, space, and politics. Not as engaging to me. Granted, both genres have crossover (Martin goes into politics extensively), but I just find the problems of fantasy to be more personal/human than the more social/political problems of sci-fi. Conflicts of people as opposed to conflicts of ideology, I guess.
Avoiding the
Ender/
Dune points (which I could argue), there's plenty of what you're talking about in sf... it just doesn't tend to be what is "hot" in sf these days. You have such wonderful things as
Flowers for Algernon (Keyes);
The Word for World is Forest (and, in fact, most of Le Guin's earlier work); much of Moorcock's work, nearly everything written by C. L. Moore and Henry Kuttner; a fair chunk of C. M. Kornbluth; Stanley G. Weinbaum; a large selection of Brian Aldiss;
A Case of Conscience (Blish); nearly anything by Pangborn -- especially such things as "Angel's Egg" and
A Mirror for Observers; Stewart's
Earth Abides; various pieces by Asimov ("The Ugly Little Boy" and "The Bicentennial Man" come to mind); Simak's
City,
Way Station, and many others; a fair amount of Phil Farmer; James Tiptree, Jr.; Andre Norton; etc., etc., etc.