4.8: Habeas Corpses
I began watching this episode in a cynical state of mind and felt smug as the beginning scenes swept by as the ragtag time of Angel fighters straggle back to the Hotel, the morning after the hail of fire from the skies. By the end of the movie, I was intrigued by the steady script portraying a rather striking relationship between Cordelia and Angel. It was delicious to see how Angel behaved. There were monsters galour in this episode and it could have been terrible, but the build up, the suggestive lead up to them was great. Lilah ends up in a rather different state of mind while Gavin really gets a new makeover. The scene at Wolfram and Hart and their guest makes for a rather shocking but compelling experience. And the entire gang together are themselves all in a turmoil, except for Lorne.
I was skeptical how Josh Whedon was going to handle two parallel storylines between Buffy and Angel - he has both series' characters becoming more complex, carrying a number of deep emotional scars. Both have ominous, almost invincible dark forces afoot - the almost transparent, ghost of Buffy and the almost towering, fierce, ferocious monster of Angel. So far Josh has managed to hold his own, but precariously.
I began watching this episode in a cynical state of mind and felt smug as the beginning scenes swept by as the ragtag time of Angel fighters straggle back to the Hotel, the morning after the hail of fire from the skies. By the end of the movie, I was intrigued by the steady script portraying a rather striking relationship between Cordelia and Angel. It was delicious to see how Angel behaved. There were monsters galour in this episode and it could have been terrible, but the build up, the suggestive lead up to them was great. Lilah ends up in a rather different state of mind while Gavin really gets a new makeover. The scene at Wolfram and Hart and their guest makes for a rather shocking but compelling experience. And the entire gang together are themselves all in a turmoil, except for Lorne.
I was skeptical how Josh Whedon was going to handle two parallel storylines between Buffy and Angel - he has both series' characters becoming more complex, carrying a number of deep emotional scars. Both have ominous, almost invincible dark forces afoot - the almost transparent, ghost of Buffy and the almost towering, fierce, ferocious monster of Angel. So far Josh has managed to hold his own, but precariously.