Culhwch
Lost Boy
Resurrecting an old thread here, I know. Neill Blomkamp's new movie Chappie. Didn't know what to think when I first heard about it but it looks good.
Whispers of bicentennial man and 1001 sf plots about 'what it's like to be human'. But the execution looks very crisp. Looking forward to it - just hoping it's not a sad ending!!
If this was a student film, showcasing CGI effects for replacing a human figure with a robot avatar, I would have applauded it on technical grounds. Little more.
However, as a Hollywood film, it's nothing but a series of ridiculous and amateur plot cues, underlined by violence to children by proxy as entertainment.
A few script howlers IMO:
- Scientist discovers genuine AI, then leaves it in the hands of violent gangsters despite fearing for AI's life
- Corporation isn't interested in Nobel-prize winning idea of genuine AI, because they are too busy trying to sell a military platform with built-in cluster bombs to the neighbourhood police - and can't figure out why the neighbourhood police don't see the need for cluster bombs
- No one bats an eye at AI police shooting people, but hate the idea of robots controlled by humans with an ethical mandate - receives little comment
I guess one must keep in mind that this is taking place as a trial run.
Chappie was a disappointment to me for many of the reasons you listed, but especially for the brutal treatment of an innocent child inside a police robot's body. The perpetrators understandably saw only an enemy at first, but how could they ignore its desperate cries for mercy and not realize they were dealing with something different?If this was a student film, showcasing CGI effects for replacing a human figure with a robot avatar, I would have applauded it on technical grounds. Little more.
However, as a Hollywood film, it's nothing but a series of ridiculous and amateur plot cues, underlined by violence to children by proxy as entertainment.
A few script howlers IMO:
- Scientist discovers genuine AI, then leaves it in the hands of violent gangsters despite fearing for AI's life
- Corporation isn't interested in Nobel-prize winning idea of genuine AI, because they are too busy trying to sell a military platform with built-in cluster bombs to the neighbourhood police - and can't figure out why the neighbourhood police don't see the need for cluster bombs
- No one bats an eye at AI police shooting people, but hate the idea of robots controlled by humans with an ethical mandate - receives little comment
- Gangster needs to raise a few million for a drug lord, but never considers gifting multi-million pound unique police robot in lieu
- Gangster instead drops off multi-million pound robot alone somewhere where it can be damaged by another gang, reducing its value, and capabilities - despite the need to use said robot to raise money
- Newly sentient robot moves and behaves like an eight-year old child, despite the completely different physiological and cognitive structures
- Despite being shot at by police robots, female gang member hugs and kisses police robot like a child. Because that's what women do, right?
- Scientist who discovered genuine AI also discovers how to transfer human consciousness into a robot. Still works with violent gang instead of taking discoveries to wider scientific community
- Human consciousness can be immediately comfortable in robot host body
The script is awful, and there is no subtlety - the viewer is repeatedly banged on the head with a large instrument that: OMG, this police robot acts like a child! Then inflicts various acts of violence on it.
In fact, 'bunny ears' were added to try and make it look less like a robot and a little more cute. Because the film wasn't sure if it had sledge-hammered us enough with the need to like this robot.
The directing is flat and unengaging, too. Looks like Blomkamp shunted almost all of his budget and time from Chappie to Elysium.
All the characters are idiot cliches. Yet, for some reason, we're expected to care for them.
Oh - and Appleseed's robot wants its ears back.
Chappie was a disappointment to me for many of the reasons you listed, but especially for the brutal treatment of an innocent child inside a police robot's body. The perpetrators understandably saw only an enemy at first, but how could they ignore its desperate cries for mercy and not realize they were dealing with something different?
The consciousness-transferring thing really irked me. A still developing AI so advanced that it could spend a few minutes on the internet and learn how to achieve this, then store the entire consciousness of a human being on a flash drive? That had to one enormous-capacity drive.The whole, frantic "Mommy" and "Daddy" exclamations as Chappie "learned" grated on my nerves. Whatever dire circumstances my own children faced growing up, they never produced anything like that.Also a cheap way to smooth a rough road to a happy ending
I really liked District 9, so I was expecting better from Blomkamp here. My time would have been better spent re-watching Short Circuit.