A fantasy scene [word count - 466]

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Darkranger85

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This is actually a piece I wrote for a challenge at AbsoluteWrite.com

I didn't get much input and I'd love to hear what a fantasy oriented forum will think of it.
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She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome.

The night was cool and clear, moonlight filtering through the canopy, as if the Moon Mother herself where giving her aid. Azamai could see her target clearly, and it seemed as if he had no idea that he was being stalked from just a short distance above. She could raise her bow and end him right now,but what fun would that be, she thought to herself.

This was her forest, and the forest of her people. The trespasser would know who confronted him, and in the end, who had put him in his place.

She dropped to the ground many feet below with the grace of a hunting cat, landing in perfect balance. Just a few strides behind the man, she drew her beautifully crafted elven short blades as she made her presence known. “Hold!” She raised her swords to the ready. “You are trespassing on sacred elven lands.”

The cloaked man turned quickly pulling his sword defensively in front of him. His feet shifting almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back. “And perhaps take a few souvenirs.”

The Elven maiden's eyes narrowed. No more needed to be said, he had sealed his own fate with his own words. Her cowl flew back as she bolted forward giving the trespasser barely enough time to jerk his blade up to block to swift blow.

Her blades came in from every angle, all the while she continued to circle around him, keeping him moving and off balance. He was good, there was no doubt, few could keep up with the deadly dance of a trained Elven ranger, let alone give it back.

The human's blade sang out its metallic cry as it parried the countless attacks. The only chance he had was to end the battle quickly, before he tired. Azamai's defenses presented an opening and he seized it, his boot came up and caught her in the stomach, sending her out and to the ground.

He thought to end it here and now with a stab straight to the ground where she lay, and if she were a novice fighter, he would have won, but she wasn't. Down came his blade as the Elven fighter's legs shot up, throwing herself into a flip and reversing her direction before the tip of the man's sword even hit the ground.

Her wicked twin blades cried out as they came together at the base of his neck like a deadly pair of shears, and as suddenly as it started, the battle was over.

--------------------------

I realize that in this scene, we don't know why the stranger was in the forest. Keeping in mind that this scene was written to express 'agility' I didn't really see the need to flesh it out more.

But I'm thinking of using it to start a larger story, so I'd love some feedback! :)

Thanks!
 
First my usual boring warning: I'm a beginner myself so my critiques will not be as good as more experienced writers. However:

I think this extract achieves what it needs to: it directs attention to Azamai's agility.

She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome.

I love the first part of this, but not sue if 'completely unwelcome' works. Maybe 'unaware' instead?

Moon Mother herself where giving her aid

Were giving...


She could raise her bow and end him right now, space after comma but what fun would that be, she thought to herself.

The cloaked man turned quickly pulling his sword defensively in front of him. His feet shifting almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back. “And perhaps take a few souvenirs.”

This paragraph is a bit choppy. Maybe run the first two sentences together with a comma replacing the full stop, then a new paragraph for his dialogue. Also watch your dialogue punctuation (pot calling kettle black springs to mind here....).

No more needed to be said, he had sealed his own fate with his own words.

I think it might be better with a hyphen or a colon instead of the comma and take away the second 'own'.

You'll see that I'm largely nit-picking, which is a good sign. I loved this - it conveyed tension and action and it held me. I think it could be tightened up by addressing punctuation in places, but in my opinion the writing is good and I would definitely want to read on. I wanted to know where your characters went from here: allies or enemies? Do they both walk away or is one of them left bleeding in the leaf mould?
 
If this has been an excerpt from a novel in progress, I'd say you were doing well - the text follows the character, gives us a degree of insight into her thinking, and mostly flows well.

There are a couple of areas where I was thrown from the narrative - some sentences were a bit clunky, and you also drew out from character Point of View (POV) to omniscient POV a few times (especially at the end when we jump straight into the man's POV).

However, as an exercise piece, not bad at all.

If you wanted to take this into novel format, my only suggestion would be to look more carefully at POV use, as that will allow you to flesh out your characters a little more, while maintaining pace and clarity with the prose.

Good luck!
 
She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome.

Is there a reason you didn't use Azamai's name here? Without it I have an image of a carnivorous robin? Hopped seems an almost comic verb to use in this instance.

The night was cool and clear, moonlight filtering through the canopy, as if the Moon Mother herself where giving her aid. Azamai could see her target clearly, and it seemed as if he had no idea that he was being stalked from just a short distance above. She could raise her bow and end him right now,but what fun would that be, she thought to herself.

Scents or sounds? Remember Azamai like yourself has five senses. How did the wind feet, were the branches rough, smooth etc

Where is the place - like Where is Azamai? She's over there in the trees.

was or were is better.

I'd advise a full stop after clearly. The change in pronoun was, for me, a little confusing.

Azamai could see her target clearly. It seemed he had no idea he was being stalked.

I would also consider ways to shorten the sentences to increase the tension. Do you need "clearly"; "it seemed"; "a short distance above".


His feet shifting almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back. “And perhaps take a few souvenirs.”

Shifted.

Dialogue often feels more natural when you find ways to make it more terse especially as "He shot back." Shot back is a dialogue tag so the dialogue before it ends with a comma "... myself," he shot back.

Action or dialogue beats mean a stop at the end of the dialogue before. "...myself." He shifted his weapon.

Ways to pear it back and give the dialogue a more natural feel: "I wanted to see these sacred lands of yours," he shot back. "Perhaps take a souvenir or two."

Her blades came in from every angle, all the while she continued to circle around him, keeping him moving and off balance. He was good, there was no doubt, few could keep up with the deadly dance of a trained Elven ranger, let alone give it back.

A good fight scene is like a dialogue. Back and forth, utilising facial expressions, body language and all the senses.

What was he doing? What did it sound like? Did they sweat, grunt, scrunch up their faces etc? How did they move their feet etc?
 
She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome.

Overall, I like this opening. Good description, good suspense. I would probably lose the first comma. I'm not sure about "elven" forest; this doesn't tell me much, and I don't think you need it.

The night was cool and clear, moonlight filtering through the canopy, as if the Moon Mother herself where giving her aid. Azamai could see her target clearly, and it seemed as if he had no idea that he was being stalked from just a short distance above. She could raise her bow and end him right now,but what fun would that be, she thought to herself.

I didn't mind introducing the character's name here, since it comes pretty quick after the start. (What I have a problem with is several paragraphs of just "she" and then a name.) I like the way you let the reader know this is some kind of setting other than the one we know via the use of the term "Moon Mother." The last sentence could just end with "but what fun would that be?" (No italics.) Since we are following this character's point of view, you don't need to indicate "she thought" in any way.

This was her forest, and the forest of her people. The trespasser would know who confronted him, and in the end, who had put him in his place.

She dropped to the ground many feet below with the grace of a hunting cat, landing in perfect balance. Just a few strides behind the man, she drew her beautifully crafted elven short blades as she made her presence known. “Hold!” She raised her swords to the ready. “You are trespassing on sacred elven lands.”

I would drop the first "elven." One is enough to let us know what the character is.

The first paragraph is somewhat wordy and action-free. It doesn't tell us anything we won't find out from the action just after it. I would lose it, or at least cut it to the absolute minimum (e.g. "The intruder would pay for his crime.")

The cloaked man turned quickly pulling his sword defensively in front of him.
Wordy and tells us what we can figure out. Just something like "Spun and pulled his sword" is enough.
His feet shifting
"shifted" and I would delete "almost unconsciously"
almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back.
I don't think you need a "said" word here at all, but if you use one, the quote should end in a comma and not a period.
“And perhaps take a few souvenirs.”
Good way to increase the tension.

The Elven maiden's eyes narrowed. No more needed to be said, he had sealed his own fate with his own words. Her cowl flew back as she bolted forward giving the trespasser barely enough time to jerk his blade up to block to swift blow.
I'll be annoying and completely reword this, since it seems awkward to me. "Azamai narrowed her eyes. No more needed to be said. The stranger had sealed his fate. Her cowl flew back as she bolted forward. The trespasser jerked his blade up to block her blow." Just a suggestion.

Her blades came in from every angle, all the while she continued to circle around him, keeping him moving and off balance. He was good, there was no doubt, few could keep up with the deadly dance of a trained Elven ranger, let alone give it back.
Need to break this up into shorter sentences, particularly in an action scene, and make it a bit more vivid. "Her blades attacked from every angle. She circled around him, keeping him moving and off balance. He was good. Few could keep up with the deadly dance of a trained Elven ranger, let alone fight back."

The human's blade sang out its metallic cry
I'd drop "its metallic cry"
as it parried the countless attacks. The only chance he had was to end the battle quickly, before he tired. Azamai's defenses presented an opening and he seized it, his boot came up and caught her in the stomach, sending her out and to the ground.
More run-on sentences that I would shorten, a bit passive, and we seem to be shifting away from Azamai's viewpoint. I would describe exactly what Azamai did that offered him an opening, from her point of view. (I know nothing about fighting, so I won't offer a suggestion.) Then something like "His boot smashed into her stomach. Azamai grunted and fell on her back." (or whatever you prefer.)

He thought to end it here and now with a stab straight to the ground where she lay, and if she were a novice fighter, he would have won, but she wasn't. Down came his blade as the Elven fighter's legs shot up, throwing herself into a flip and reversing her direction before the tip of the man's sword even hit the ground.
Same thing here. Stay with her point of view, use tight, active sentence. "He thrust his blade at her. Azamai's legs shot up and she flipped, reversing her direction before the man's sword hit the ground. If she had been a novice fighter, she would be dead."

Her wicked twin blades cried out as they came together at the base of his neck like a deadly pair of shears, and as suddenly as it started, the battle was over.
I'd lose "wicked" as a bit much. I'd also drop the "and" and maybe reduce the last phrase to just "The battle was over."

Despite all my nitpicking, this reads quite well. I can see what's going on most of the time, and the action is good. I wasn't quite clear how the protagonist "flipped," so maybe a bit more description would be good. Watch out for run-on sentences you can cut into two or more parts. Stay with active verbs, and stay with your protagonist's viewpoint.
 
Your first few sentences do a lot and I think that with some changes mentioned they could do much more.
By that I mean that we already know her sex and that she might be an elf and that this is her forest and that there is an interloper who is her prey but not her name so it is quite impersonal. Moving her name to the top will bring the reader closer to her.

Unless you mean to distance the reader from her for some reason I think that would be a wise choice to make and to tighten the POV especially so that you do not make that error of dropping from the predator to the prey's POV.

I could almost see the POV change as a device since we almost see the change of position of predator and prey at that moment. But to make it work you would have to find a smoother transition because right now it jars the reader out of the story. And at that moment we don't know whose story this is and worse yet who this scene is written for.

I have seen this device used in horror genre so that the reader sees the internal thoughts of the victim before the last strike and it has never impressed me there but I only read a small amount of that and because I see it there a lot it might be a welcome device. I don't think it fits here unless you want to obtain that same moment that resides in horror stories.[Whatever that might be.]

This is good writing that just needs to be tightened and put back on the path and I would be tempted to read more as long as I was sure the author wasn't going to be hoping from head to head too much.
 
Wow, a lot of good advice here. I really appreciate your thoughts! :)

It seems like, if I'm seeing this right, that the largest glaring problem would be the transitioning POV. Then mainly tightening up sentences and removing some unneeded words and phrases.

Overall, I'm pretty happy with that lol. If I get a chance I'll do a rework with some improvements and repost.
 
This is actually a piece I wrote for a challenge at AbsoluteWrite.com

I didn't get much input and I'd love to hear what a fantasy oriented forum will think of it.
------------------------------------------

She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome.

The night was cool and clear, moonlight filtering through the canopy, as if the Moon Mother herself where giving her aid. Azamai could see her target clearly, and it seemed as if he had no idea that he was being stalked from just a short distance above. She could raise her bow and end him right now,but what fun would that be, she thought to herself.

This was her forest, and the forest of her people. The trespasser would know who confronted him, and in the end, who had put him in his place.

She dropped to the ground many feet below with the grace of a hunting cat, landing in perfect balance. Just a few strides behind the man, she drew her beautifully crafted elven short blades as she made her presence known. “Hold!” She raised her swords to the ready. “You are trespassing on sacred elven lands.”

The cloaked man turned quickly pulling his sword defensively in front of him. His feet shifting almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back. “And perhaps take a few souvenirs.”

The Elven maiden's eyes narrowed. No more needed to be said, he had sealed his own fate with his own words. Her cowl flew back as she bolted forward giving the trespasser barely enough time to jerk his blade up to block to swift blow.

Her blades came in from every angle, all the while she continued to circle around him, keeping him moving and off balance. He was good, there was no doubt, few could keep up with the deadly dance of a trained Elven ranger, let alone give it back.

The human's blade sang out its metallic cry as it parried the countless attacks. The only chance he had was to end the battle quickly, before he tired. Azamai's defenses presented an opening and he seized it, his boot came up and caught her in the stomach, sending her out and to the ground.

He thought to end it here and now with a stab straight to the ground where she lay, and if she were a novice fighter, he would have won, but she wasn't. Down came his blade as the Elven fighter's legs shot up, throwing herself into a flip and reversing her direction before the tip of the man's sword even hit the ground.

Her wicked twin blades cried out as they came together at the base of his neck like a deadly pair of shears, and as suddenly as it started, the battle was over.

--------------------------

I realize that in this scene, we don't know why the stranger was in the forest. Keeping in mind that this scene was written to express 'agility' I didn't really see the need to flesh it out more.

But I'm thinking of using it to start a larger story, so I'd love some feedback! :)

Thanks!
 
This is very good for a start.
If you are not limited in word count and space I would suggest getting us closer to the main character by using a few of the five or six senses.

Something like this: keeping in mind I don't know your world that well yet.
---
The smell of the rich green forest surrounded her as she hopped from branch to branch in the great trees of the elven forest. She moved like a living shadow and a gentle breeze covered her noise as she brushed through the leaves to make her way along her prey's path. Her fingers, tacky from the tree sap, pushed aside branches allowing her to peer below where he meandered through dark woods: unwelcome and unaware.
---
Then carry that on into the rest of the story::keep writing.
 
Hey, that's some excellent advice!

I haven't had a chance the last few days to take any of the advice and put it to use, but when I get a chance certainly will.
 
This is really written very well. It can be improved in the ways suggested but it is an exciting scene which is clearly described without bogging down in unnecessary detail as fight descriptions often do. Good work.
 
This is actually a piece I wrote for a challenge at AbsoluteWrite.com

I didn't get much input and I'd love to hear what a fantasy oriented forum will think of it.
------------------------------------------

She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome. Elven forest = forest belonging to elves? Not bad so far.

The night was cool and clear, moonlight filtering through the canopy, as if the Moon Mother herself where giving her aid. Azamai could see her target clearly, and it seemed as if he had no idea that he was being stalked from just a short distance above. She could raise her bow and end him right now,but what fun would that be, she thought to herself.

This was her forest, and the forest of her people. The trespasser would know who confronted him, and in the end, who had put him in his place.

She dropped to the ground many feet below with the grace of a hunting cat, landing in perfect balance. Just a few strides behind the man, she drew her beautifully crafted elven short blades as she made her presence known. “Hold!” She raised her swords to the ready. “You are trespassing on sacred elven lands.” Not keen on the beautifully crafted elven short blades - it's taking us out of close 3rd viewpoint. What has she done with the bow (and arrows)? If she still has them , they will be an encumbrance in a sword fight.

The cloaked man turned quickly pulling his sword defensively in front of him. His feet shifting almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back. “And perhaps take a few souvenirs.” I'd lose the defensively (adverb). > drawing his sword. I don't like 'He shot back' It is obvious who is talking. Also this should be joined to the preceding speech, not a separate sentence. (myself," he)

The Elven maiden's eyes narrowed. No more needed to be said, comma splice he had sealed his own fate with his own words. Her cowl flew back as she bolted forward giving the trespasser barely enough time to jerk his blade up to block to swift blow. Odd word choices.

Her blades came in from every angle, all the while she continued to circle around him, keeping him moving and off balance. He was good, there was no doubt, comma splice few could keep up with the deadly dance of a trained Elven ranger, let alone give it back.

The human's blade sang out its metallic cry as it parried the countless attacks. The only chance he had was to end the battle quickly, before he tired. Azamai's defenses presented an opening and he seized it, comma splice his boot came up and caught her in the stomach, sending her out and to the ground.

He thought to end it here and now with a stab straight to the ground where she lay, and if she were a novice fighter, he would have won, but she wasn't. Down came his blade as the Elven fighter's legs shot up, throwing herself into a flip and reversing her direction before the tip of the man's sword even hit the ground. I can't visualise what she's doing.

Her wicked twin blades cried out as they came together at the base of his neck like a deadly pair of shears, and as suddenly as it started, the battle was over. How did she get at his neck if she was thrown to the ground?

--------------------------

Overall, not a bad effort. I have nitpicked some things in the text. The description of the sword fight is not that great. I can't put my finger on much that is wrong, but for me, it doesn't carry a strong sense of authenticity.
Your character is basically killing the man for her amusement, which might render her less sympathetic for some readers.
 
This is really written very well. It can be improved in the ways suggested but it is an exciting scene which is clearly described without bogging down in unnecessary detail as fight descriptions often do. Good work.

Thank you! That means a lot to me :)

@Cosmic Geoff:

I appreciate you thoughts and suggestions. :) Thank you for taking the time.

I must say though, I don't see where the thought that my character is killing this guy for fun would come from. He is trespassing on foreign land that is considered sacred, and when challenged takes an aggressive stance on top of addmiting to wanting to loot things of value.

That being said, it's your opinion and I respect it. :)
 
@Cosmic Geoff:
I appreciate you thoughts and suggestions. :) Thank you for taking the time.

I must say though, I don't see where the thought that my character is killing this guy for fun would come from. He is trespassing on foreign land that is considered sacred, and when challenged takes an aggressive stance on top of addmiting to wanting to loot things of value.

That being said, it's your opinion and I respect it. :)
She could raise her bow and end him right now,but what fun would that be, she thought to herself.
From that line, actually.
 
I'm a picky one, be warned. And I'm in editing mode....

She hopped from branch to branch in the great trees of the elven forest, like a living shadow, making her way quickly along her prey's path. Below, he meandered through the dark woods, completely unwelcome.

I'm not sure if this is the opening of the piece. If so, I'm not sure about it. Using she and he seems to be the author hinting at knowing more than I do (like they know who she and he are) and that always gets my hackles raised. The two adverbs right at the start didn't add for me - I think quickly in particular is implied and could easily go.


The night was cool and clear, moonlight filtering through the canopy, as if the Moon Mother herself where (were) giving her aid. Azamai could see her target clearly, and it seemed as if he had no idea that (this that could go, for flow) he was being stalked from just a short distance above. She could raise her bow and end him right now,but what fun would that be, she thought to herself. (I agree with Cosmic, for what it's worth - it makes it sound like she's playing with him.)


This was her forest, and the forest of her people. The trespasser would know who confronted him, and in the end, who had put him in his place.

She dropped to the ground many feet below with the grace of a hunting cat, landing in perfect balance. Just a few strides behind the man, she drew her beautifully crafted elven short blades (would she really think that? It pulled me out of close pov. Maybe a show might have been smoother, something like she held them, perfectly balanced as only elven-crafted knives could be. By preference, though, I think you could hold this info back for a less tense moment.) as she made her presence known. “Hold!” She raised her swords to the ready. “You are trespassing on sacred elven lands.”

The cloaked man turned quickly (comma) pulling his sword defensively in front of him. His feet shifting (shifted, or else have a comma in front of feet) almost unconsciously into a balanced stance. “I would see these sacred lands of yours for myself.” He shot back. “And perhaps take a few souvenirs.”

( for myself," he shot back. I think it's closer to a dialogue tag than an action.)

The Elven maiden's eyes narrowed (okay, totally pulled me out. Why would she ever think of herself as the elven maiden? And how could she see her own eyes narrow? You appear to be in mostly close third, but this is an omnipresent voice). No more needed to be said, he had sealed his own fate with his own words. Her cowl flew back as she bolted forward giving the trespasser barely enough time to jerk his blade up to block to (the?) swift blow. (I think that last sentence needs a bit of work. It might be better broken up.)

Her blades came in from every angle,(I'd go with a full stop - keeps the action tight.) all the while she continued to circle around him, keeping him moving and off balance. He was good, there was no doubt, few could keep up with the deadly dance of a trained Elven ranger, let alone give it back.

The human's blade sang out its metallic cry as it parried the countless attacks. The only chance he had was to end the battle quickly, before he tired. Azamai's defenses presented an opening and he seized it, his boot came up and caught her in the stomach, sending her out and to the ground. (We seem to shift to his pov here? But it's borderline...)

He thought to end it here and now with a stab straight to the ground where she lay, and if she were a novice fighter, he would have won, but she wasn't. Down came his blade as the Elven fighter's legs (see above... This doesn't read as her pov) shot up, throwing herself into a flip and reversing her direction before the tip of the man's sword even hit the ground.

Her wicked twin blades cried out as they came together at the base of his neck like a deadly pair of shears, and as suddenly as it started, the battle was over.

--------------------------

I realize that in this scene, we don't know why the stranger was in the forest. Keeping in mind that this scene was written to express 'agility' I didn't really see the need to flesh it out more.

But I'm thinking of using it to start a larger story, so I'd love some feedback! :)

Thanks


I thought it had a lot of promise. The pov caught me out several times and I think that could do with tidying up, but overall it's fairly effective. Good luck with it.
 
Pov is my weakest area. I tend to write as if it's a TV episode. I need to put some serious work into that.

Thank you for your input!
 
Okay I failed to complete myself here initially because I crashed out of the system way back so I'll add my two cents now.

I liked most of this it was engaging but I agree with the notion that near the end the point of view disintegrated and I'm baffled why you would do that.

The Elven maiden's eyes narrowed

For me it started here- this is Omni maybe I would buy it maybe if it were Her Elven maiden eyes narrowed.
It would be close to the same thing as saying :: She narrowed her eyes.

There's the whole paragraph that starts:: He thought....
That reminded me of what I hate about those horror thrillers.
You know when a character is near death because you are suddenly inexplicably drawn into their head while their being stalked and you get that right up to the moment of eternal darkness to live with them maybe a couple of paragraphs or more depending on how torturous the author is.

I think we should stick with her POV.

Also I'm okay with the playfulness here along with that description of catlike nature to the hunt, because I've seen cats play with their prey.
 
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