Some semi-random thoughts, less about means of communication, more about how you tell the story. Feel free to ignore them.
If you find a series of questions with yes or no as the answer becoming boring, most readers will do so to. You may wish to give a relatively short example of this, to let the reader see the process, before focusing on one or other of the character's thoughts of the process and the knowledge their gaining (the man by hearing her answers, the woman by analysing why the man is asking the questions he is).
So the first thing you have to do is decide who is narrating. If your narrator is an authorial voice, you will be have to do what Boneman is suggesting, cataloguing (though, one hopes, not at length) the various ways in which the woman is expressing herself. The same is true if your narrator is the man, though you would then be able to let the reader know what he knows, which may be a lot more interesting than the raw interrogation. If the woman is the narrator, the various physical reactions (some of which may be involuntary) would be more difficult to relate without making her very aware of herself, possibly unnaturally so.
I'm going to assume that, at the moment, the woman is the your narrator, as only she could know about the words popping into her head. (To be the narrator, her internal use of language must be far more developed than her means of expressing them.)
So what does she know and what does she want to? Off the top of my head, she'd be asking, amongst other things:
- Who am I?
- Where am I?
- How did I get here?
- Who is this man?
- Does he know me?
- Can I trust him?
- How far can I trust him?
- Why can't I remember?
- Have I had an accident or have I a medical condition?
- Did someone do this to me?
- Did he do this to me?
Her internal dialogue is likely to be far more interesting than a series of questions, particularly if the man appears to be a stranger. As mentioned before, his questions would be useful: not only giving her an indication of her situation, but also punctuating and informing her speculations.